![Gilt-brass and rock-crystal cased verge watch in the form of a crucifix [dial and case not original] — view 1 of 6](/__l5e/assets-v1/231b54b3-d016-4d9d-8a40-a7729ca841e4/gilt-brass-and-rock-crystal-cased-verge-watch-in-the-form-of-a-crucifi-878572-1.jpg)
Pocket Watches · Cruciform watch
Gilt-brass and rock-crystal cased verge watch in the form of a crucifix [dial and case not original]
- Maker / attribution
- David Rousseau (Made by)
- Date
- 1660–1670
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- Switzerland
- Place
- Geneva (city)
- Object type
- Cruciform watch
- Materials / technique
- gold, brass, rock crystal
- Dimensions
- Length: 57 millimetres (case including pendant) Thickness: 21.70 millimetres Width: 37.40 millimetres
- Holding institution
- British Museum
- Accession / object no.
- 1888,1201.194
- Credit line
- British Museum, London
- Catalogue title (original)
- Gilt-brass and rock-crystal cased verge watch in the form of a crucifix [dial and case not original] (English)
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Record summary
Held and catalogued by British Museum (object number 1888,1201.194), this is a cruciform watch by David Rousseau, made in Geneva (city), Switzerland, dated 1660–1670. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Pocket Watches collection. Materials and techniques recorded by the source: gold, brass, rock crystal. Recorded dimensions: Length: 57 millimetres (case including pendant) Thickness: 21.70 millimetres Width: 37.40 millimetres. The record is illustrated with 6 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Description — British Museum
Movement frame: Cruciform gilt-brass plates with engraved decoration on the arms, head and foot of the potence-plate. Four baluster pillars. Pillar-plate hinged to the case at XII. the central area of the pillar-plate is cut away and traversed by a separate bridge. Mainspring & set-up: Gilt-brass barrel with snap-in cap and riveted steel hook. Tangent-screw set-up, the worm gear held by two cut steel foliate brackets, the left hand one broken and partly missing. The silver index disc and steel indicator are also missing. Fusee & stop-work: Gilt brass fusee with chain and English stop-work, the fusee of large diameter for the size of the watch. Train: Three wheel going train, the second wheel and contrate pinion recessed into the pillar-plate and running in a separate bridge. Escapement & balance: Verge escapement, the crown wheel running between riveted potence and counter potence. There have been modifications to the potence and the verge and balance, as well as the balance spring and index on the plain balance cock are all later alterations. Dial & hand: The pillar-plate is gilded on the dial side and engraved with the Instruments of the Passion. Over the transept of the cross is a screwed-on silver dial of 19th century date. The hand is now missing. CASE: Cruciform case with hinged lid, the gilt-brass rims of the case and bezel are embossed and engraved. The rock-crystal body and glazed lid are probably of 19th century date. Gilt-brass embossed pendant with loose ring, also embossed.
Curator's comments — British Museum
The movement appears to be original but has undergone some alterations. It is possible that originally the pillar-plate was solid, without the separate bridge. The fusee may also be a later replacement. The present dial is deeply recessed at the back to clear the very proud great wheel arbor with its pinion of report. The four holes for the original dial feet are still present. It is possible that the complete case is of 19th century date.
Inscriptions & marks
signature; David Rousseau
Provenance
Bequeathed by:, Octavius Morgan; Acquired 1888
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
The balance spring (c. 1675) improved watches dramatically and introduced the minute hand. English pair-cased verge watches with pierced balance cocks and French oignons were typical; enamel painting at Blois and Geneva, and the repeating watch (1680s), made watches objects of great refinement.
Read the period in the timelineMore pocket watches from this periodEarlier: Renaissance Horology
Atlas type guide
Early spring-driven watches
Portable spring-driven timepieces appeared in southern Germany, France and Italy in the early sixteenth century; Peter Henlein of Nuremberg is traditionally credited, although the historical record is complex. These early watches were worn as pendants or carried, had iron or brass movements with a verge escapement and a foliot or small balance, and used a stackfreed or fusee to equalise spring force. They indicated hours only and were notoriously inaccurate.
From the later sixteenth century watches were made in Blois, Paris, Geneva, London and Augsburg in oval, octagonal, cruciform, skull and other 'form' cases of rock crystal, gilt brass, silver and enamel. They were jewellery and status objects as much as timekeepers.
What to look for
- A single hour hand and often a touch-pin hour ring for feeling the time.
- Stackfreed (a cam and spring) instead of a fusee on German watches.
- Pierced and engraved cocks over the balance, fine gut fusee lines.
- Rock-crystal, enamelled or engraved form cases.
Dating clues
- Drum-shaped German watches: c. 1530–1580.
- Oval and form watches: c. 1580–1650.
- Before c. 1675 there is no balance spring; watches can vary by many minutes a day.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:FoliotThe Melanchthon watch
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