
Clocks · Bracket clock
Early 18th century English ebonised double fusee verge bracket clock with pull-repeat by William Tomlinson, London
- Maker / attribution
- William Tomlinson (maker)
- Date
- early 18th century
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- London
- Object type
- Bracket clock
- Materials / technique
- ebonised
- Dimensions
- Height 17 in (43 cm)
- Auction house
- Gardiner Houlgate (auction house), Corsham
- Lot
- Sale 41, lot 1230
- Credit line
- Auction lot record: lot 1230, Fine Clocks & Related Items, Gardiner Houlgate (21st May 2026)
- Catalogue title (original)
- William Tomlinson, London - Fine early 18th century English ebonised double fusee verge bracket clock with pull-repeat, the signed 7" x 8" brass dial with foliate engraving, strike/silent function lev (English)
View the source record (auction lot) ↗ (opens another website in a new tab)Suggest a correction
Record summary
Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 41, lot 1230), this is a bracket clock by William Tomlinson, made in London, England, dated early 18th century. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: ebonised. Recorded dimensions: Height 17 in (43 cm). The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Lot description — Gardiner Houlgate
William Tomlinson, London - Fine early 18th century English ebonised double fusee verge bracket clock with pull-repeat, the signed 7" x 8" brass dial with foliate engraving, strike/silent function lever, cherub spandrels, matted centre with a false pendulum bob aperture, ringed winding holes over a calendar aperture, silvered Roman numeral chapter ring with pierced blued steel hands, five pillar movement with a signed and engraved foliate back plate with locking pendulum, verge escapement and pull quarter repeating on five bells, within an ebonised caddy top case applied with gilt metal mounts and cast feet, and surmounted with a gilt metal cherub carry handle, 17" high with the handle raised (with winding key) ** William Tomlinson is first recorded as becoming a brother of the Clockmaker's Company in 1699 and master on the 29th September 1733 ** From a private collector downsizing his collection ** Cheffins, Cambridge ex lot 335 June 2025 (£8000)
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapement
Related records
Clocks · 1789
Tall clock, case by John Townsend, United States, 1789
The Metropolitan Museum of Art, New York
Pocket Watches · c. 1720
English early 18th century silver and tortoiseshell piqué work pair cased verge pocket watch by William Tomlinson, London
Gardiner Houlgate (auction house), Corsham
Clocks · 1598–1603
Circular table-clock with calendrical and lunar indications made by Nicholas Vallin in London between 1598 and 1603.
Science Museum Group, London
Clocks · 1611
English iron lantern clock, with wheel balance, by John Holloway, Market Lavington, Wiltshire, England, 1611.
Science Museum Group, London
Clocks · 1630
Lantern clock by Francis Forman, England, 1630
Science Museum Group, London
Clocks · 1632–1640
Turret clock, England, 1632–1640
Science Museum Group, London
Clocks · 1645–1655
Balance-wheel brass lantern clock, with two driving weights and one counterweight, by Thomas Knifton, Cross Keys, Lothbury, London, England, 1645–1655.
Science Museum Group, London
Clocks · c. 1650
Lantern alarm clock, silver, by David Bouquet, circa 1650
Victoria and Albert Museum, London
