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Early 18th century English ebonised double fusee verge bracket clock with pull-repeat by William Tomlinson, London — view 1 of 1
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Clocks · Bracket clock

Early 18th century English ebonised double fusee verge bracket clock with pull-repeat by William Tomlinson, London

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
William Tomlinson (maker)
Date
early 18th century
Country of origin
England
Place
London
Object type
Bracket clock
Materials / technique
ebonised
Dimensions
Height 17 in (43 cm)
Lot
Sale 41, lot 1230
Credit line
Auction lot record: lot 1230, Fine Clocks & Related Items, Gardiner Houlgate (21st May 2026)
Catalogue title (original)
William Tomlinson, London - Fine early 18th century English ebonised double fusee verge bracket clock with pull-repeat, the signed 7" x 8" brass dial with foliate engraving, strike/silent function lev (English)

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Record summary

Catalogued by Gardiner Houlgate (auction house), Corsham (lot Sale 41, lot 1230), this is a bracket clock by William Tomlinson, made in London, England, dated early 18th century. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: ebonised. Recorded dimensions: Height 17 in (43 cm). The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Gardiner Houlgate

William Tomlinson, London - Fine early 18th century English ebonised double fusee verge bracket clock with pull-repeat, the signed 7" x 8" brass dial with foliate engraving, strike/silent function lever, cherub spandrels, matted centre with a false pendulum bob aperture, ringed winding holes over a calendar aperture, silvered Roman numeral chapter ring with pierced blued steel hands, five pillar movement with a signed and engraved foliate back plate with locking pendulum, verge escapement and pull quarter repeating on five bells, within an ebonised caddy top case applied with gilt metal mounts and cast feet, and surmounted with a gilt metal cherub carry handle, 17" high with the handle raised (with winding key) ** William Tomlinson is first recorded as becoming a brother of the Clockmaker's Company in 1699 and master on the 29th September 1733 ** From a private collector downsizing his collection ** Cheffins, Cambridge ex lot 335 June 2025 (£8000)

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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