![Clock by Ganter, Fernando [Casa comercial con sede en Madrid], 1851–1900 (second half of the 19th century) — view 1 of 1](/__l5e/assets-v1/d347b862-1509-4abb-8fb1-6cd10434e637/clock-by-ganter-fernando-casa-comercial-con-sede-en-madrid-1851-1900-s-a75405-1.jpg)
Clocks · Clock
Clock by Ganter, Fernando [Casa comercial con sede en Madrid], 1851–1900 (second half of the 19th century)
- Maker / attribution
- Ganter, Fernando [Casa comercial con sede en Madrid] (Maker)
- Date
- 1851–1900 (second half of the 19th century)
- Historical period
- Industrial Revolution (1850 – 1900)
- Country of origin
- Unrecorded in source
- Place
- Francia
- Object type
- Clock
- Materials / technique
- Mármol Bronce Porcelana Pigmento Esmalte Vidrio
- Dimensions
- Altura = 45,50 cm Anchura = 33,50 cm Profundidad = 13,30 cm
- Holding institution
- National Museum of Romanticism
- Accession / object no.
- pages_Main_idt_12422_inventary_CE7035_table_FMUS_museum_MNR
- Credit line
- National Museum of Romanticism
- Catalogue title (original)
- Reloj (Spanish)
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Record summary
Held and catalogued by National Museum of Romanticism (object number pages_Main_idt_12422_inventary_CE7035_table_FMUS_museum_MNR), this is a clock by Ganter, Fernando [Casa comercial con sede en Madrid], made in Francia, dated 1851–1900 (second half of the 19th century). The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Clocks collection. Materials and techniques recorded by the source: Mármol Bronce Porcelana Pigmento Esmalte Vidrio. Recorded dimensions: Altura = 45,50 cm Anchura = 33,50 cm Profundidad = 13,30 cm. The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Catalogue description from National Museum of Romanticism
Reloj de sobremesa con guarnición de jarrones a juego (CE7036-7037). Maquinaria del tipo París. Motor a resorte con ocho días de cuerda. Escape de áncora con péndulo compensado de varillas. Suspensión de cuchilla, sonería de horas y medias, por sistema de rueda contadera, sobre campana. Máquina auxiliar para el sistema de calendario perpetuo. Caja de mármol negro con perfiles en mármol jaspeado de tonos rosáceos. Base de planta rectangular y borde convexo, con patas de voluta decoradas con hojas de acanto, de bronce dorado. Cuerpo ovalado que aloja dos esferas de porcelana blanca, protegidas con ventana de cristal biselado, en marco de bronce dorado y cincelado a modo de cinta. Cercos de las esferas, también en bronce, con grecas florales grabadas. En la esfera superior, el disco horario en cifras romanas, con escape visto del reloj. Debajo de éste, calendario perpetuo, fases de la Luna y atraso y adelanto del Sol. En las enjutas, decoración pintada de figuras infantiles aladas enfrentadas sobre roleos dorados portando, la de la derecha, un ramo floral, y la de la izquierda, una flecha. Remate con guarnición de bronce dorado, de cinta drapeada con guirnaldas y asas laterales en forma de roseta. Está firmado en la esfera horaria por Ferdinand Ganter, relojero alemán afincado en Madrid, que actuaría como comerciante-distribuidor. Constituye un bello ejemplo de la categoría artistíca que alcanzan los relojes de sobremesa a partir de finales del siglo XVIII. A la perfección técnica de la maquinaria parisina se unen la construcción esmerada de la caja y la exquisitez decorativa, fruto de la colaboración de artesanos especializados que interpretaban con el mejor gusto el concepto artístico de cada estilo. La moda exigía que en todo gabinete, despacho, salón o dormitorio, uno o más relojes completasen el mobiliario, contribuyendo así al esplendor y lujo de residencias reales tanto como las pertenecientes a señores o adinerados.
Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.
Historical context
Industrial Revolution (1850 – 1900)
American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.
Factory production transformed the clock into an everyday object. American makers (Seth Thomas, Ansonia, Waterbury) and German factories (Junghans, Gustav Becker, Lenzkirch) sold millions of shelf, wall and alarm clocks worldwide; France produced standardised Paris movements and carriage clocks; electric time distribution began.
Read the period in the timelineMore clocks from this periodEarlier: Precision & Scientific Horology
Atlas type guide
Domestic clocks
A clock combines four systems: a source of power (falling weight, coiled spring, or later electricity), a gear train that divides time, an escapement and oscillator that regulate it (foliot, pendulum or balance), and an indicating system of dial and hands or a bell. Its history runs from the large iron weight-driven clocks of the late thirteenth century to Renaissance spring-driven table clocks, the pendulum revolution of 1656, the factory clocks of the nineteenth century and electric and quartz clocks of the twentieth.
Domestic clocks also reflect regional furniture and decorative traditions — English longcase and bracket clocks, French pendules, Viennese regulators, Black Forest and American shelf clocks — and therefore record changing tastes as much as technical progress.
What to look for
- How the clock is powered: weights, spring barrel, fusee, electric coil.
- The oscillator: foliot, short pendulum, long seconds pendulum or balance.
- Whether it strikes: hour only (count wheel) or hours and quarters (rack striking).
- The maker or retailer's name on dial and movement, and any factory trademarks.
- Signs of alteration — replaced dials, converted escapements, 'married' cases.
Dating clues
- Before 1656 clocks used foliots or balances; after, most domestic clocks have pendulums.
- Anchor escapements spread after c. 1670; minute hands became common at the same time.
- Factory production in America and Germany transformed prices after c. 1840.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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