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Bracket clock by John Cotton, London, c. 1695 — view 1 of 3
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Clocks · Bracket clock

Bracket clock by John Cotton, London, c. 1695

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
John Cotton (maker)
Date
c. 1695
Country of origin
England
Place
London
Object type
Bracket clock
Materials / technique
gilt, ebony
Dimensions
Height 32.5 cm
Stock no.
SKU 539
Credit line
Dealer listing, Howard Walwyn (SKU 539)
Catalogue title (original)
JOHN COTTON. A good William III period ebony and gilt mounted hour striking bracket clock. (English)

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Record summary

Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 539), this is a bracket clock by John Cotton, made in London, England, dated c. 1695. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: gilt, ebony. Recorded dimensions: Height 32.5 cm. The record is illustrated with 3 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — Howard Walwyn

A good William III period ebony and gilt mounted hour striking bracket clock. The 7 inch square dial is mounted with a silvered chapter ring and winged cherub spandrels to the four corners. The dial centre is matted with a chamfered and engraved date aperture above VI and it has finely pierced and facetted blued steel hands. There is a strike/silent lever by III and an opening between X and II for the dummy pendulum. The verge movement with knife edge bob pendulum runs for 8 days and strikes the hours on a bell. There is also pull repeat-work for sounding the hours and quarters on 2 bells. The backplate which has a wheatear outer border is exquisitely engraved with scrolling foliage and bears the maker’s signature John Cotton London inside a central cartouche below the elaborately pierced and engraved raised backcock. The oak case, which is veneered with ebony, stands only 12 ¾ inches tall on four brass bun feet. It has a shallow dome top which is surmounted by a double S scroll carrying handle and it has four gilt cast brass ball finials to each corner. Height: 12 ¾ in (32.5 cm) Width : 10 ¼ in (26 cm) Depth : 6 ⅜ in (16 cm) * John Cotton is recorded on page 176 of Brian Loomes’ Clockmakers of Britain 1286-1700 as being apprenticed in London in 1683 and a member of the Clockmakers Company from 1695-1697. HW6019

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeAnchor (recoil) escapement

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