
Clocks · Bracket clock
Bracket clock by Jacob Hassenius, Whitehall, London, c. 1690
- Maker / attribution
- Jacob Hassenius (maker)
- Date
- c. 1690
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- Whitehall, London
- Object type
- Bracket clock
- Dimensions
- Height 33 cm
- Stock no.
- Product 4915
- Credit line
- Dealer listing, Howard Walwyn (product 4915)
- Catalogue title (original)
- JACOB HASSENIUS. A small and rare late 17th century olivewood quarter-repeating basket-top table clocK (English)
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Record summary
Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number Product 4915), this is a bracket clock by Jacob Hassenius, made in Whitehall, London, England, dated c. 1690. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Recorded dimensions: Height 33 cm. The record is illustrated with 6 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — Howard Walwyn
A small and rare late 17th century olivewood veneered quarter repeating basket-top table clock by this respected London maker. The case is veneered in well-figured olivewood of good colour and patination, the front door incorporating oyster veneers and fitted with a pierced brass escutcheon. There is an overhanging moulded cornice and a stepped caddy top, surmounted by a shallow repoussé basket with richly worked panels of flowers, scrolling foliage and birds, backed in red silk. It is finished with four acorn finials at the corners and a finely cast handle with dolphin decoration. Each side has a plain glazed rectangular window and the rear door is similarly glazed with a moulded edge and matching escutcheon. It stands on a moulded base with four wooden block feet. The 6-inch dial has a silvered chapter ring engraved with Roman hour numerals and Arabic five-minute markers, and distinctive fleur-de-lys half-hour marks set against an inner quarter-hour track. The finely matted centre has a small calendar aperture, framed by cast winged cherub-head spandrels, and is fitted with finely pierced blued steel hands. The movement is of 8-day duration with twin gut fusees and five knopped and ringed pillars, driving a knife-edge verge escapement behind a shaped apron. It strikes the hours on a bell by rack work, and the hours and quarters are repeated on demand by pulling the cord at the right-hand side, sounding on the hour bell and a further smaller bell for the quarter work. The backplate is finely engraved with tulips and scrolling foliage and signed ‘ Jacobus Hazenius At Wight Hall ’ within a foliate cartouche. Date : circa 1690 Height : 13 in (33 cm) Jacobus (James) Hassenius is recorded as a Russian-born watch and clockmaker working in London, and was made a Free Brother of the Worshipful Company of Clockmakers in January 1682/3. He paid quarterage until 1697, after which it is generally thought he returned to Russia—timing that aligns closely with Peter the Great’s celebrated visit to London, when the Tsar actively recruited skilled craftsmen and technical expertise for his modernising programme. A particularly telling document follows in 1698: Hassenius was granted a warrant permitting him to export a group of clocks and tools “to Muscovy for the use of his Imperial Majesty the Czar of Muscovy,” including long clocks and a “great table clock,” suggesting direct court patronage and the practical role London-made clocks played in Russia’s drive to import Western skill and technology. Hassenius’s Whitehall address, engraved on this clock’s backplate, underlines a prestigious London presence at the very centre of government and court life, and his surviving work is valued for its strong late-17th-century English construction paired with notably confident, decorative backplate engraving. (For further discussion, see Keith Stella, “James or Jacob Hassenius, a clock- and watchmaker in London and Moscow”, Antiquarian Horology , March 2024; and S. Dzik, Engraving on English Table Clocks: Art on a Canvas of Brass 1660–1800 , Wild Boar Publications, 2019, ref. H3-3.) HW6661
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapement
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