
Movements & Components · Table-clock movement
Table-clock movement, Italy, 16th century
- Maker / attribution
- Unrecorded in source
- Date
- 16th century
- Historical period
- Renaissance Horology (1400 – 1600)
- Country of origin
- Italy
- Place
- Italy
- Object type
- Table-clock movement
- Materials / technique
- iron, wood
- Dimensions
- height 135 mm, max. diameter 160 mm
- Holding institution
- Museo Galileo, Florence
- Accession / object no.
- Inv. 3821
- Credit line
- Museo Galileo, Florence
- Catalogue title (original)
- Table-clock movement (English)
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Record summary
Held and catalogued by Museo Galileo, Florence (object number Inv. 3821), this is a table-clock movement, made in Italy, dated 16th century. The Atlas places it in the Renaissance Horology period (1400 – 1600) of its Movements & Components collection. Materials and techniques recorded by the source: iron, wood. Recorded dimensions: height 135 mm, max. diameter 160 mm. The record is illustrated with 2 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Catalogue description — Museo Galileo
Important Italian Renaissance clock movement, recently acquired. The spring mechanism is enclosed in a modern wooden case. The device reproduces a movement first illustrated in the manuscripts of Leonardo da Vinci.
Historical context
Renaissance Horology (1400 – 1600)
Spring power makes clocks portable; Nuremberg and Augsburg produce the first watches; the Prague Orloj is built.
Movements were made by hand in iron and brass; screws were rare and parts were fixed with pins and wedges.
Read the period in the timelineMore movements & components from this periodEarlier: Medieval Period
Atlas type guide
Clock and watch movements
The movement is the mechanism of a clock or watch, without its case and dial. It consists of the power source (weight or mainspring in its barrel, sometimes with a fusee), the going train of wheels and pinions, the escapement and oscillator, the motion work that drives the hands, and in many cases additional trains for striking or complications.
From the eighteenth century watch movements were increasingly produced in stages: Swiss and French ébauche makers supplied rough movements that finishers, repasseurs and retailers completed and signed. Calibre numbers — first used systematically by American and Swiss factories in the nineteenth century — make it possible to identify movements, find spare parts and date watches.
What to look for
- Plate and bridge layout: full plate, three-quarter plate, Lépine bar calibre, bridges and cocks.
- Jewel count and whether jewels are set in chatons or rubbed in.
- Signatures, calibre and serial numbers on the plate or under the dial.
- Finishing: Geneva stripes (Côtes de Genève), perlage, bevelled edges, blued screws.
- Fusee and chain, going barrel, or electrical components.
Dating clues
- Full-plate English movements dominate before c. 1850; three-quarter plate and Lépine calibres after.
- Jewelled movements spread after Facio and Debaufre's patent of 1704, mainly in English work until c. 1800.
- Calibre numbers and factory serials allow close dating for industrial production after c. 1850.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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