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Seth Thomas Steeple Mantel Clock, circa 1830s — view 1 of 4
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Clocks · Clock

Seth Thomas Steeple Mantel Clock, circa 1830s

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Seth Thomas (maker)
Date
c. 1830s
Country of origin
United States
Object type
Clock
Lot
Item 57148621
Credit line
Auction lot record: lot 354, High Hope: The Estate of T. Ruben Jones, Ahlers & Ogletree Auction Gallery (2017), via LiveAuctioneers
Catalogue title (original)
Seth Thomas Steeple Mantel Clock, circa 1830s (English)

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Record summary

Catalogued by LiveAuctioneers auction archive (lot Item 57148621), this is a clock by Seth Thomas, made in United States, dated c. 1830s. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Lot description — Ahlers & Ogletree Auction Gallery

Seth Thomas Steeple mantel clock with Roman numerals and figural scene, circa 1830-1840 Approx. height 21", width 11.25", depth 4.75"

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.

Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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