Clocks · Mantel clock
Mantel clock, United Kingdom, 1811
- Maker / attribution
- Unrecorded in source
- Date
- 1811
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- United Kingdom
- Place
- United Kingdom
- Object type
- Mantel clock
- Holding institution
- Rijksmuseum
- Accession / object no.
- BK_1997_16
- Catalogue title (original)
- Mantle clock (pendule) (English)
Record summary
Held and catalogued by Rijksmuseum (object number BK_1997_16), this is a mantel clock, made in United Kingdom, dated 1811. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Clocks collection. The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Catalogue description from Rijksmuseum (English)
French decorative art was internationally acclaimed at the start of the 19th century. The most important Paris dealer at that time was Lignereux, from whom the English ambassador to France bought this clock. The secretary on which the pendule stands also came from this dealer. The woman leaning with her elbow on a stack of books represents Learning or Science.
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The age of the deadbeat escapement, compensated pendulums and observatory regulators. Domestic clocks spread through the middle classes: English longcase and bracket clocks, French gilt-bronze mantel clocks, Viennese Biedermeier wall clocks, Black Forest painted-shield clocks, and the first American shelf clocks.
Read the period in the timelineMore clocks from this periodEarlier: Early Modern Horology
Atlas type guide
Mantel and French pendule clocks
The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.
The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.
What to look for
- Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
- Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
- Visible Brocot escapement on the dial in later clocks.
- Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
- Signed dials naming a retailer rather than the movement maker.
Dating clues
- Silk-suspension Paris movements: c. 1800–1850.
- Brocot suspension and visible escapements: after c. 1840.
- Exhibition medal stamps on movements give dates after the medal year.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:Anchor (recoil) escapement
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