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Longcase clock by David Olsson, 1973 — view 1 of 1
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Clocks · Longcase clock

Longcase clock by David Olsson, 1973

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
David Olsson (Maker)
Date
1973
Country of origin
Unrecorded in source
Object type
Longcase clock
Materials / technique
trä glas metall
Dimensions
Bredd 47 Djup 50
Holding institution
Museum of Gothenburg
Accession / object no.
GIM:273
Credit line
Museum of Gothenburg
Catalogue title (original)
kalenderur, golvur (Swedish)

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Record summary

Held and catalogued by Museum of Gothenburg (object number GIM:273), this is a longcase clock by David Olsson, dated 1973. The Atlas places it in the Quartz Revolution period (1969 – 1990) of its Clocks collection. Materials and techniques recorded by the source: trä glas metall. Recorded dimensions: Bredd 47 Djup 50. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description from Museum of Gothenburg

GIM:273 Tidsindelning (805) industrihistoria Olsson, David

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Historical context

Quartz Revolution (1969 – 1990)

Seiko's Astron begins mass quartz timekeeping; traditional industries contract sharply.

Quartz movements and digital displays made accurate clocks cheap and ubiquitous after the early 1970s. LED and LCD clocks, clock radios and radio-controlled clocks appeared, while traditional mechanical clockmaking contracted sharply in Germany, France and Britain.

Read the period in the timelineMore clocks from this periodEarlier: Modern Mechanical Horology

Atlas type guide

Longcase (tall-case or grandfather) clocks

The longcase clock was born from two seventeenth-century innovations: Christiaan Huygens's pendulum (1656–57) and the anchor escapement (c. 1670). A long seconds pendulum, nearly a metre long, swings with a small arc, and enclosing it together with the driving weights in a tall wooden case protected the mechanism and created a new piece of furniture. London makers such as Ahasuerus Fromanteel, Thomas Tompion and Joseph Knibb set the pattern.

By the eighteenth century longcase clocks were made throughout Britain, the Netherlands, Scandinavia (the Swedish Mora clock), France (the Comtoise from the Franche-Comté), Germany and colonial America. Eight-day movements with two weights became standard in better clocks; thirty-hour clocks with one weight and a rope or chain were cheaper alternatives.

What to look for

  • Winding holes in the dial: two (eight-day, going and striking) or none (thirty-hour, pulled up by a chain).
  • Brass dials with applied chapter rings (earlier) versus painted iron 'white' dials (after c. 1770 in Britain).
  • Moon-phase arches, date apertures, seconds dials and maker's name on the dial.
  • Case woods and style: ebonised, walnut marquetry, lacquer, oak or mahogany; regional styles from London, Lancashire, Scotland or America.
  • Whether the movement and dial match the case — 'marriages' are common.

Dating clues

  • Square brass dials suggest c. 1670–1720; arched brass dials c. 1715–1790.
  • Painted (white) dials were made by Birmingham dial-makers from about 1772.
  • Comtoise clocks with repoussé pendulums are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapementDeadbeat escapementAnchor escapement

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