
Pocket Watches · Form watch
Gilt-brass and silver cased verge watch in the form of a tulip
- Maker / attribution
- Jaques Sermand (Made by)
- Date
- 1635–1645
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- Switzerland
- Place
- Geneva (city)
- Object type
- Form watch
- Dimensions
- Height: 31 millimetres (case excluding pendant and finial) Width: 27.50 millimetres
- Holding institution
- British Museum
- Accession / object no.
- 1888,1201.198
- Credit line
- British Museum, London
- Catalogue title (original)
- Gilt-brass and silver cased verge watch in the form of a tulip (English)
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Record summary
Held and catalogued by British Museum (object number 1888,1201.198), this is a form watch by Jaques Sermand, made in Geneva (city), Switzerland, dated 1635–1645. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Pocket Watches collection. Recorded dimensions: Height: 31 millimetres (case excluding pendant and finial) Width: 27.50 millimetres. The record is illustrated with 6 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Description — British Museum
FRAME Oval plates with four baluster pillars. A separate bridge on the pillar-plate for the recessed second wheel. TRAIN Gilt-brass barrel with ratchet and click set-up. Fusee originally with gut line, now with chain. Three-wheel train, with very crude modifications and replacements. ESCAPEMENT Verge escapement with replacement crown wheel, verge and balance. The balance cock is also replaced, the original was pinned to the stud in the potence-plate, the present cock has no transverse hole for a pin and is retained by a screw. DIAL AND HAND Gilt-brass dial with an engraved border of foliage and flowers. Applied silver chapter ring, hours I-XII and heart-shaped half-hour marks. In the middle an engraved townscape. Single blued-steel hand. CASE Gilt-brass and silver case in the form of a tulip. The gilt-brass body engraved and chased, the pendant in the form of a twisted stem. Gilt-brass finial in the form of a small bud. Three plain silver hinged covers, each with a central rib to give the appearance of a tulip petal. The movement slides into the case and was originally retained by two catches on a single semi-circular spring beneath the dial. This has more recently been replaced by two screws.
Curator's comments — British Museum
Following the theocracy established in Geneva by John Calvin in 1541 and the Calvinist focus on time, as watches counted the hours, their manufacture was encouraged. In 1625 a Geneva City ordonnance permitted co-operation between crafts to make watchcases and watchmakers were permitted to make their own cases. Jaques Sermand I (1595-1651) and his nephew also named Jaques Sermand II (1636-1666) specialized in the production of form watches often made of precious and semi-precious materials, crucifix, stars and tulip buds as here.
Inscriptions & marks
signature; J.Sermand [potence-plate]
Provenance
Bequeathed by:, Octavius Morgan; Acquired 1888
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
The balance spring (c. 1675) improved watches dramatically and introduced the minute hand. English pair-cased verge watches with pierced balance cocks and French oignons were typical; enamel painting at Blois and Geneva, and the repeating watch (1680s), made watches objects of great refinement.
Read the period in the timelineMore pocket watches from this periodEarlier: Renaissance Horology
Atlas type guide
Early spring-driven watches
Portable spring-driven timepieces appeared in southern Germany, France and Italy in the early sixteenth century; Peter Henlein of Nuremberg is traditionally credited, although the historical record is complex. These early watches were worn as pendants or carried, had iron or brass movements with a verge escapement and a foliot or small balance, and used a stackfreed or fusee to equalise spring force. They indicated hours only and were notoriously inaccurate.
From the later sixteenth century watches were made in Blois, Paris, Geneva, London and Augsburg in oval, octagonal, cruciform, skull and other 'form' cases of rock crystal, gilt brass, silver and enamel. They were jewellery and status objects as much as timekeepers.
What to look for
- A single hour hand and often a touch-pin hour ring for feeling the time.
- Stackfreed (a cam and spring) instead of a fusee on German watches.
- Pierced and engraved cocks over the balance, fine gut fusee lines.
- Rock-crystal, enamelled or engraved form cases.
Dating clues
- Drum-shaped German watches: c. 1530–1580.
- Oval and form watches: c. 1580–1650.
- Before c. 1675 there is no balance spring; watches can vary by many minutes a day.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:FoliotThe Melanchthon watch
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