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Instruments · Butterfield sundial

Butterfield Sundial

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
1700s
Country of origin
France
Place
France
Object type
Butterfield sundial
Materials / technique
silver
Dimensions
Overall: 7.7 x 7.4 cm (3 1/16 x 2 15/16 in.)
Holding institution
Cleveland Museum of Art
Accession / object no.
1942.490
Credit line
Gift of Henry W. Kent
Catalogue title (original)
Butterfield Sundial (English)

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Record summary

Held and catalogued by Cleveland Museum of Art (object number 1942.490), this is a butterfield sundial, made in France, dated 1700s. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Instruments collection. Materials and techniques recorded by the source: silver. Recorded dimensions: Overall: 7.7 x 7.4 cm (3 1/16 x 2 15/16 in.). The record is illustrated with 6 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Description — Cleveland Museum of Art

Butterfield-type sundials are characterized by their adjustable gnomons, metal flaps that cast a shadow on the dial’s face to indicate the hour, and geographical indices. This sundial has a scale adjustable between latitudes of 40° to 60° north. The latitudes of 26 European towns are engraved on its back for quick reference. With an intricately engraved silver face, it would have functioned as a fashionable traveler’s accessory.

Inscriptions & marks

[Engraved signature above the compass in ribbon band]: "N. BION A Paris"; [Engraved on the face of the sundial]: “Pour 55° 4-5-6-7-8-9-10-11 50° IIII-V-VI-VII-VIII-IX-X-XI 45° 5-6-7-8-9-10-11 40° -VI-VII-VIII-IX-X-XI'; [Engraved on the other side]: "Pour 55° -8-7-6-5-4-3-2-1-0 50°-VIII-VII-VI-V-IIII-III-II-I 45°-8-7-6-5-4-3-2-1 40°-VII-VI-V-IIII-III-II-I"; [Engraved around the compass]: “NORD-OUEST-SUD-EST”; [Engraved on the back of the sundial]: “Turin 44 Milan 46 Paris 49 Lion 46 Metz 49 Rome 42 Liege 51 Naples 44 Namur 50 Gennes 44 Marseille 43 Grenoble 45 Bayonne 43 Bruxelle 51 Londres 52 Nantes 47 Vienne 48 Toulon 43 Tours 47 Lille 51”; [Engraved around the back of the compass]: “Venise 45 Strasbourg 49 Amsterdam 52 Hambourg 54 Varsovie 52 La Rochelle 46”

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Pocket sundials, Butterfield dials and sandglasses remained essential companions to imperfect clocks; navigators used sandglasses and the log line; observatories began to combine telescopes with pendulum clocks.

Read the period in the timelineMore instruments from this periodEarlier: Renaissance Horology

Atlas type guide

Sundials and solar time-finders

A sundial tells time from the position of a shadow cast by a gnomon or style. Because the sun's apparent motion depends on latitude, every fixed dial is laid out for a particular latitude, and portable dials either carry a latitude scale or are made for one region. Sundials show local apparent solar time, which drifts against mean (clock) time by up to about sixteen minutes over the year — the equation of time.

Portable dials were the pocket instruments of the sixteenth to eighteenth centuries. Nuremberg and Augsburg workshops produced folding ivory diptych dials with inset compasses; English and French makers sold brass horizontal dials, ring dials and the Butterfield type; Japanese and Chinese makers had their own traditions of compass dials. After mechanical watches became reliable, dials remained in use for setting them, and nineteenth-century heliochronometers were built to correct directly for the equation of time.

What to look for

  • The latitude engraved on the dial plate or a latitude arc on the gnomon — it shows where the dial was meant to be used.
  • The type of hour lines: equal (equinoctial) hours, Italian or Babylonian hours counted from sunset or sunrise, or unequal temporal hours on early and Islamic instruments.
  • An inset magnetic compass and whether a magnetic-declination mark is drawn on its card — a useful dating clue because declination changes over time.
  • Maker's signatures and town marks: Nuremberg compass-makers (Kompassmacher) often struck a personal mark and the town's punch.
  • Additional scales such as lunar volvelles, wind roses, perpetual calendars or lists of cities with their latitudes.

Dating clues

  • Ivory diptych dials are characteristic of Nuremberg between about 1500 and 1700.
  • Butterfield-type dials with a bird-shaped adjustable gnomon point to Paris workshops from the late seventeenth century onward.
  • Equation-of-time tables engraved on the plate became common after the mid-seventeenth century, once pendulum clocks made the difference between solar and mean time obvious.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:The history timeline

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