Folding compass and sundial, ivory, by Gabriel Bloud, France (Dieppe), ca. 1650-1680 — view 1 of 4
View 1 of 4 · Image: © Victoria and Albert Museum, London · original image source

Instruments · Tablet sundial

Folding compass and sundial, ivory, by Gabriel Bloud, France (Dieppe), ca. 1650-1680

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Gabriel Bloud (maker)
Date
ca. 1650 - ca. 1680
Country of origin
Unrecorded in source
Place
Dieppe
Object type
Tablet sundial
Materials / technique
Engraved ivory, partly painted and gilded, with gilt-brass fittings, metal discs and string; glass cover
Dimensions
Height: 1.6 cm (when closed); Width: 9.4 cm; Depth: 9 cm
Accession / object no.
48-1894

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number 48-1894), this is a tablet sundial by Gabriel Bloud, made in Dieppe, dated ca. 1650 - ca. 1680. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Instruments collection. Materials and techniques recorded by the source: Engraved ivory, partly painted and gilded, with gilt-brass fittings, metal discs and string; glass cover. Recorded dimensions: Height: 1.6 cm (when closed); Width: 9.4 cm; Depth: 9 cm. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Summary

This ivory folding compass and sundial is inscribed 'Fait par Gabriel Bloud A Dieppe', 'Made by Gabriel Bloud in Dieppe'. It is made in about 1650-1680. It has an hour dial, an equatorial dial and a polar dial. Bloud was one of a family of ivory sundial makers active in Dieppe in the seventeenth and early eighteenth centuries. Other works by him and by his relative, Jean Bloud, are in the Château-Musée de Dieppe. The collection of scientific instruments, while never the result of a deliberate policy, is indebted to the Museum's founding mission to promote the industrial arts. These objects were portable and essential for accurate time-keeping, and would have been used by merchants, sea captains, travellers, and indeed anyone who wished to know the time, in the days before accurate pocket watches or of course wrist watches. They relied on measuring the sun’s changing direction in the sky, indicating the hour of the day through the angle of the shadow cast by the gnomon, which was the string in the hinged portable sundials. In order to work correctly the direction dials had to be properly aligned, and for this reason such portable sundials needed to incorporate magnetic compasses. Ivory was a suitable material for a number of reasons: it was not heavy, did not warp as easily as wood, and its light colour and relative softness meant that it was easy to inscribe. Such objects were produced from the fifteenth century up to the early twentieth.

V&A — Physical description

Tablet sundial of engraved ivory; ther is an hour dial under the compass needle, which has to be adjusted for the time of year, by turning the plate at the back of the instrument. The latter being then turned so that the shadow of the open lid falls exactly on the box, the point of the needle indicates the time. The lid itself serves as an equatorial dial when opened to the proper angle, and a moveable style (missing) is foxed in the hole in its centre. A horizontal dial is formed by means of a string gnomon and hour marks, placed round the compass. The hour lines for a polar dial are engraved on the lid as well as the circle of hours. Inscribed.

V&A — Object history

Bought from Mr. Heilbronner in London in 1894.

Inscriptions & marks

'Fait par Gabriel Bloud A Dieppe'

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Pocket sundials, Butterfield dials and sandglasses remained essential companions to imperfect clocks; navigators used sandglasses and the log line; observatories began to combine telescopes with pendulum clocks.

Read the period in the timelineMore instruments from this periodEarlier: Renaissance Horology

Atlas type guide

Sundials and solar time-finders

A sundial tells time from the position of a shadow cast by a gnomon or style. Because the sun's apparent motion depends on latitude, every fixed dial is laid out for a particular latitude, and portable dials either carry a latitude scale or are made for one region. Sundials show local apparent solar time, which drifts against mean (clock) time by up to about sixteen minutes over the year — the equation of time.

Portable dials were the pocket instruments of the sixteenth to eighteenth centuries. Nuremberg and Augsburg workshops produced folding ivory diptych dials with inset compasses; English and French makers sold brass horizontal dials, ring dials and the Butterfield type; Japanese and Chinese makers had their own traditions of compass dials. After mechanical watches became reliable, dials remained in use for setting them, and nineteenth-century heliochronometers were built to correct directly for the equation of time.

What to look for

  • The latitude engraved on the dial plate or a latitude arc on the gnomon — it shows where the dial was meant to be used.
  • The type of hour lines: equal (equinoctial) hours, Italian or Babylonian hours counted from sunset or sunrise, or unequal temporal hours on early and Islamic instruments.
  • An inset magnetic compass and whether a magnetic-declination mark is drawn on its card — a useful dating clue because declination changes over time.
  • Maker's signatures and town marks: Nuremberg compass-makers (Kompassmacher) often struck a personal mark and the town's punch.
  • Additional scales such as lunar volvelles, wind roses, perpetual calendars or lists of cities with their latitudes.

Dating clues

  • Ivory diptych dials are characteristic of Nuremberg between about 1500 and 1700.
  • Butterfield-type dials with a bird-shaped adjustable gnomon point to Paris workshops from the late seventeenth century onward.
  • Equation-of-time tables engraved on the plate became common after the mid-seventeenth century, once pendulum clocks made the difference between solar and mean time obvious.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:The history timeline

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