
Clocks · Bracket clock
Bracket clock by William Kipling, London, c. 1725
- Maker / attribution
- William Kipling (maker)
- Date
- c. 1725
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- England
- Place
- London
- Object type
- Bracket clock
- Materials / technique
- gilt, lacquer
- Dimensions
- Height 27.5 cm
- Stock no.
- SKU 414
- Credit line
- Dealer listing, Howard Walwyn (SKU 414)
- Catalogue title (original)
- WILLIAM KIPLING, A beautiful green and gilt lacquer table clock of rare small size. (English)
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Record summary
Catalogued by Howard Walwyn Fine Antique Clocks (dealer), London (stock number SKU 414), this is a bracket clock by William Kipling, made in London, England, dated c. 1725. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: gilt, lacquer. Recorded dimensions: Height 27.5 cm. The record is illustrated with 3 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Dealer description — Howard Walwyn
A beautiful green and gilt lacquer table clock of rare small size, the 3 ½ inch break arch brass dial movement with hour strike, strike/silent and pull repeat on a single bell. The backplate is finely engraved with a basket of fruit and leaves set within bands of scrolling foliage. Date : circa 1725 Height : 10 ⅜ in (27.5 cm) Width : 6 ¾ in (17 cm) Depth : 4 ⅞ in (12.5 cm) * William Kipling was apprenticed to Thomas Johnson in 1695 and he subsequently had his own workshops at Ratcliffe Cross between 1705 and 1750. He worked with his son John who predeceased his father in 1750. William Kipling, gentleman, of St Leonard’s Shoreditch died in 1757. References: B. Loomes, Clockmakers of Britain 1286 – 1700 , p.308 B. Loomes, Clockmakers of the World: 21 st Century Edition , p.447 HW5206
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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