
Movements & Components · Movement - clockwork
Watch movement by Josh Penlington, Liverpool, No.15231, with bi-metallic compensation balance and overcoil hairspring
- Maker / attribution
- Penlington, Joseph (maker); Joseph Penlington (maker)
- Date
- 1848-1903
- Historical period
- Industrial Revolution (1850 – 1900)
- Country of origin
- England
- Place
- Liverpool, Merseyside, England, United Kingdom, Liverpool
- Object type
- Movement - clockwork
- Holding institution
- Science Museum Group, London
- Accession / object no.
- 1958-75
- Credit line
- Biggs, E.T. and Sons Ltd.
- Catalogue title (original)
- Watch movement by Josh Penlington
Record summary
Held and catalogued by Science Museum Group, London (object number 1958-75), this is a movement - clockwork by Penlington, Joseph, made in Liverpool, Merseyside, England, United Kingdom, Liverpool, dated 1848-1903. The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Movements & Components collection. The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
The source record does not include a narrative description. The structured fields above are reproduced from it.
Historical context
Industrial Revolution (1850 – 1900)
American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.
Standardised calibres, interchangeable parts and machine tools allowed movements to be mass-produced in American and Swiss factories.
Read the period in the timelineMore movements & components from this periodEarlier: Precision & Scientific Horology
Atlas type guide
Clock and watch movements
The movement is the mechanism of a clock or watch, without its case and dial. It consists of the power source (weight or mainspring in its barrel, sometimes with a fusee), the going train of wheels and pinions, the escapement and oscillator, the motion work that drives the hands, and in many cases additional trains for striking or complications.
From the eighteenth century watch movements were increasingly produced in stages: Swiss and French ébauche makers supplied rough movements that finishers, repasseurs and retailers completed and signed. Calibre numbers — first used systematically by American and Swiss factories in the nineteenth century — make it possible to identify movements, find spare parts and date watches.
What to look for
- Plate and bridge layout: full plate, three-quarter plate, Lépine bar calibre, bridges and cocks.
- Jewel count and whether jewels are set in chatons or rubbed in.
- Signatures, calibre and serial numbers on the plate or under the dial.
- Finishing: Geneva stripes (Côtes de Genève), perlage, bevelled edges, blued screws.
- Fusee and chain, going barrel, or electrical components.
Dating clues
- Full-plate English movements dominate before c. 1850; three-quarter plate and Lépine calibres after.
- Jewelled movements spread after Facio and Debaufre's patent of 1704, mainly in English work until c. 1800.
- Calibre numbers and factory serials allow close dating for industrial production after c. 1850.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Related records
Movements & Components · 1840-1900
English lever, by Roskell, "banking" on escape wheel arbor, no.32224, 1840-1900
Science Museum Group, London
Movements & Components · 1843-1884
Ivory and blackwood clock case, by Holtzapffel and Company, London, England, 1843-1884
Science Museum Group, London
Movements & Components · 1844-1929
Pendulum from the electric master clock (no.663, seconds pendulum model), by Robert Mann Lowne, England, 1844-1929
Science Museum Group, London
Movements & Components · 1850-1900
Compensation balance with sliding bi-metallic affixes
Science Museum Group, London
Movements & Components · 1850-1880
Gilt copper, electrotype, from original engraving by Jean Julien Faucherre, London, 1850-1880
Victoria and Albert Museum, London
Movements & Components · 1850-1880
Gilt-metal, engraved by Jean Julien Faucherre, London, 1850-1880
Victoria and Albert Museum, London
Movements & Components · 1850-1880
Gilt-metal, engraved by Jean Julien Faucherre, London,1850-1880
Victoria and Albert Museum, London
Movements & Components · 1860-1880
Compensation balance by Victor Kullberg, London, England, 1860-1880.
Science Museum Group, London