Watch by Cornelis Uyterweer, Netherlands, 1700–1715 — view 1 of 6 — View 1 of 6 · Image: © 2012 GrandPalaisRmn (musée du Louvre) / Michel Urtado · original image source (opens another website in a new tab)

View 1 of 6 · Image: © 2012 GrandPalaisRmn (musée du Louvre) / Michel Urtado · original image source (opens another website in a new tab)

Pocket Watches · Watch

Watch by Cornelis Uyterweer, Netherlands, 1700–1715

DocumentedDocumented from the holding institution's catalogue record.

Maker / attribution: Cornelis Uyterweer (Horloger)
Date: 1700–1715
Historical period: Early Modern Horology (1600 – 1750)
Country of origin: Netherlands
Place: Rotterdam, Netherlands
Object type: Watch
Materials / technique: gold
Dimensions: height 6,4 cm; diameter 4,8 cm; diameter 4,4 cm; thickness 2,7 cm
Holding institution: Musée du Louvre, Paris
Accession / object no.: OA 8450
Credit line: Musée du Louvre, Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes
Catalogue title (original): Montre ronde (French)

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Record summary

Held and catalogued by Musée du Louvre, Paris (object number OA 8450), this is a watch by Cornelis Uyterweer, made in Rotterdam, Netherlands, dated 1700–1715. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Pocket Watches collection. Materials and techniques recorded by the source: gold. Recorded dimensions: height 6,4 cm; diameter 4,8 cm; diameter 4,4 cm; thickness 2,7 cm. The record is illustrated with 6 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description — Musée du Louvre (French)

Montre ronde ; fond du boîtier représentant La Sainte Famille : Joseph ayant interrompu sa lecture s'adresse à Marie tenant l'Enfant sur ses genoux tandis qu'il joue avec saint Jean-Baptiste ; scène encadrée d'une torsade brune et jaune. Contre-émail peint d'un paysage. Sur le pourtour, quatre paysages aux édifices variés au bord de l'eau, séparés par des noeuds sur fond bleu. Lunette du verre gravée de feuilles stylisées. Cadran à chiffres romains et arabes ; deux aiguilles, l'une fleuronnée et l'autre en forme de pointe. Echappement à roue de rencontre. Coq circulaire à deux oreilles représentant un enfant armé d'un glaive s'appuyant sur les tables des commandements. En partie inférieure, un guichet en forme de croissant dévoile un faux pendule ; bordé de l'inscription Lex Regit Armi Tuentur. Une plaque ajourée de rinceaux recouvre le reste de la platine.

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Dating and period as catalogued (French)

Epoque / période : Louis XIV (1643-1715) (Occident->époque moderne = Ancien Régime->dynastie des Bourbons) · · Date de création/fabrication : 1700 - 1715

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Materials and techniques as catalogued (French)

Matériau : or · Matériau : laiton (doré) · Technique : techniques métal (orfèvrerie) · Technique : émaillé = émaillage = émail = émaux (techniques métal)

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Inscriptions & marks

Signature : ; mouvement signé : C. Uyterweer Rotterdam 568

Provenance

collection Jules-René Olivier (1855-1933), horloger-collectionneur ; legs de sa sœur Marie-Julie Olivier, n° 692 ; comité du 24 janvier 1935 ; conseil du 5 février 1935 ; décret du 4 août 1935 ; déposée au musée des Arts décoratifs le 4 novembre 1935 ; retour au musée du Louvre, arrêté du 5 février 1982.

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

The balance spring (c. 1675) improved watches dramatically and introduced the minute hand. English pair-cased verge watches with pierced balance cocks and French oignons were typical; enamel painting at Blois and Geneva, and the repeating watch (1680s), made watches objects of great refinement.

Read the period in the timeline More pocket watches from this period Earlier: Renaissance Horology

Atlas type guide

Pocket watches

The pocket watch was the dominant personal timekeeper from the late seventeenth century until the First World War. Its development tracks the history of the escapement: verge watches with fusees until the late eighteenth century; Thomas Mudge's lever escapement (c. 1755) and the cylinder escapement popularised by George Graham and later by Swiss makers; and the Swiss and English lever watches of the nineteenth century. Lépine's bar-bridge calibre and keyless winding made watches thinner and easier to use.

Industrialisation transformed the trade: American factories such as Waltham (from 1850) and Elgin produced interchangeable parts by machine, and Swiss makers responded with their own mechanisation after the 1876 Philadelphia Exhibition. By 1900 a reliable watch was affordable to millions; the finest makers continued to produce complications and precision watches.

What to look for

The escapement: verge (crown wheel), cylinder, duplex, English or Swiss lever.
Key winding (a square arbor in dial or back) or keyless crown winding.
Signatures and serial numbers on the movement, dial and inside case back.
Hallmarks, case maker's marks and gold or silver standards stamped in the case.
Dial material: enamel, silver, gold, later printed metal.

Dating clues

Verge watches dominate before c. 1800; cylinder watches c. 1770–1900; lever watches after c. 1820.
Keyless winding: increasingly common after c. 1860.
Manufacturer serial number lists exist for Waltham, Elgin, Longines, Omega, Patek Philippe and others.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Mechanisms mentioned

No escapement or complication is named in the source record. See the encyclopedia for how such pieces work.

Record completeness

Maker or attributionRecorded
DateRecorded
Place or countryRecorded
MaterialsRecorded
DimensionsRecorded
Narrative descriptionRecorded
Inscriptions / marksRecorded
ProvenanceRecorded
Several photographsRecorded

Editorial status: Documented — facts as published by the source; not independently verified by Atlas editors.

Explore further

Sources & image rights

Record source: Musée du Louvre, Paris (opens another website in a new tab).

Image rights: © GrandPalaisRmn / Musée du Louvre — permission required (opens another website in a new tab).

Images are hosted by the Atlas for study and credited to their owner. Rights holders may request correction, credit changes or removal, or grant permission, via the editorial office.

Cite this record

"Watch by Cornelis Uyterweer, Netherlands, 1700–1715." Musée du Louvre, Paris, OA 8450. Catalogue record in The Horology Atlas, WatchMuseum.org, https://atlas.watchmuseum.org/museum/watch-by-cornelis-uyterweer-netherlands-17001715-bb8ab8.