
Clocks · Table clock
Table clock by Fa. Carl Haas (Wien), Austria, 1865–1870
- Maker / attribution
- Fa. Carl Haas (Wien) (Created)
- Date
- 1865–1870
- Historical period
- Industrial Revolution (1850 – 1900)
- Country of origin
- Austria
- Place
- Vienna
- Object type
- Table clock
- Materials / technique
- Kupfer, vergoldet
- Dimensions
- Höhe: 30,5 cm; Tiefe: 11,7 cm; Breite: 20,5 cm
- Holding institution
- GRASSI Museum für Angewandte Kunst Leipzig
- Accession / object no.
- V7445
- Credit line
- GRASSI Museum für Angewandte Kunst Leipzig
- Catalogue title (original)
- Gehäuse einer astronomischen Tischuhr (German)
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Record summary
Held and catalogued by GRASSI Museum für Angewandte Kunst Leipzig (object number V7445), this is a table clock by Fa. Carl Haas (Wien), made in Vienna, Austria, dated 1865–1870. The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Clocks collection. Materials and techniques recorded by the source: Kupfer, vergoldet. Recorded dimensions: Höhe: 30,5 cm; Tiefe: 11,7 cm; Breite: 20,5 cm. The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Catalogue description from GRASSI Museum für Angewandte Kunst Leipzig (German)
Im Historismus war die Nachbildung von Werken vergangener Epochen gängige Praxis. Manchmal bleibt es bei Annäherungen, manchmal aber sind die kunstgewerblichen Erzeugnisse kaum von den Originalen zu unterscheiden. Zahlreiche Firmen waren auf die Nachbildung historischer Artefakte spezialisiert. In den wenigsten Fällen waren Täuschung oder gar Fälschung der Antrieb, sondern ein didaktischer Bildungsanspruch. Die antiken Werke galten als vorbildlich und sollten über diesen Weg der Allgemeinheit zugänglich gemacht werden. Kopien und Nachschöpfungen mussten daher oftmals die Plätze nicht vorhandener Originale einnehmen. Galvanoplastische Techniken waren weitverbreitet, denn die damals noch recht junge Technik ermöglichte erstmals ein originalgetreues Abbild des Originals.Bei diesem Gehäuse einer astronomischen Tischuhr handelt es sich um solch eine Galvanoplastik, die nach einem Original des bekannten Augsburger Uhrmachers Jeremias Metzger gefertigt wurde. Erworben auf der Kunstgewerbeausstellung München, 1876
Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.
Historical context
Industrial Revolution (1850 – 1900)
American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.
Factory production transformed the clock into an everyday object. American makers (Seth Thomas, Ansonia, Waterbury) and German factories (Junghans, Gustav Becker, Lenzkirch) sold millions of shelf, wall and alarm clocks worldwide; France produced standardised Paris movements and carriage clocks; electric time distribution began.
Read the period in the timelineMore clocks from this periodEarlier: Precision & Scientific Horology
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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