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Sundial, Anatolia (Asia Minor), 277 BCE – 262 BCE — view 1 of 5
View 1 of 5 · Image: © 2016 GrandPalaisRmn (musée du Louvre) / Stéphane Maréchalle · original image source (opens another website in a new tab)

Instruments · Sundial

Sundial, Anatolia (Asia Minor), 277 BCE – 262 BCE

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
277 BCE – 262 BCE
Country of origin
Anatolia (Asia Minor)
Place
Héraclée du Latmos = Apiriki
Object type
Sundial
Materials / technique
marble
Dimensions
height 31 cm; width 44 cm; depth 60,5 cm
Holding institution
Musée du Louvre, Paris
Accession / object no.
MNB 694
Credit line
Musée du Louvre, Département des Antiquités grecques, étrusques et romaines
Catalogue title (original)
cadran solaire (French)

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Record summary

Held and catalogued by Musée du Louvre, Paris (object number MNB 694), this is a sundial, made in Héraclée du Latmos = Apiriki, Anatolia (Asia Minor), dated 277 BCE – 262 BCE. The Atlas places it in the Classical Antiquity period (500 BCE – 500 CE) of its Instruments collection. Materials and techniques recorded by the source: marble. Recorded dimensions: height 31 cm; width 44 cm; depth 60,5 cm. The record is illustrated with 5 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description — Musée du Louvre (French)

Etat de l'oeuvre : entier Restauration : restauration(2000)-recollé(pointes du cadran principal)

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Dating and period as catalogued (French)

Epoque / période : hellénistique · · Date de création/fabrication : 2e quart IIIe s. av. J.-C. (d'après l'inscription) (-277 - -262)

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Materials and techniques as catalogued (French)

Matériau : marbre · Technique : taillé, incisé = incision · Précision technique : incisions(lignes des cadrans)

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Inscriptions & marks

Inscription : ; dédicace à Ptolémée II par Apollonios d'un cadran solaire fait par Themistagoras d'Alexandrie-2 les lignes gravées sous le cadran principal ; Langue : ; grecque ; Nature du texte : ; dédicace (contenu du texte->inscription religieuse) ; signature de sculpteur (contenu du texte->marque->signature) (?)

Historical context

Classical Antiquity (500 BCE – 500 CE)

Greek and Roman engineers refine the clepsydra; Ctesibius adds float regulation; the Antikythera mechanism models the heavens.

Greek astronomy produced the theory behind sundials and the astrolabe; the Antikythera mechanism (second or first century BCE) shows the sophistication of Hellenistic geared astronomical models.

Read the period in the timelineMore instruments from this periodEarlier: Ancient Civilizations

Atlas type guide

Sundials and solar time-finders

A sundial tells time from the position of a shadow cast by a gnomon or style. Because the sun's apparent motion depends on latitude, every fixed dial is laid out for a particular latitude, and portable dials either carry a latitude scale or are made for one region. Sundials show local apparent solar time, which drifts against mean (clock) time by up to about sixteen minutes over the year — the equation of time.

Portable dials were the pocket instruments of the sixteenth to eighteenth centuries. Nuremberg and Augsburg workshops produced folding ivory diptych dials with inset compasses; English and French makers sold brass horizontal dials, ring dials and the Butterfield type; Japanese and Chinese makers had their own traditions of compass dials. After mechanical watches became reliable, dials remained in use for setting them, and nineteenth-century heliochronometers were built to correct directly for the equation of time.

What to look for

  • The latitude engraved on the dial plate or a latitude arc on the gnomon — it shows where the dial was meant to be used.
  • The type of hour lines: equal (equinoctial) hours, Italian or Babylonian hours counted from sunset or sunrise, or unequal temporal hours on early and Islamic instruments.
  • An inset magnetic compass and whether a magnetic-declination mark is drawn on its card — a useful dating clue because declination changes over time.
  • Maker's signatures and town marks: Nuremberg compass-makers (Kompassmacher) often struck a personal mark and the town's punch.
  • Additional scales such as lunar volvelles, wind roses, perpetual calendars or lists of cities with their latitudes.

Dating clues

  • Ivory diptych dials are characteristic of Nuremberg between about 1500 and 1700.
  • Butterfield-type dials with a bird-shaped adjustable gnomon point to Paris workshops from the late seventeenth century onward.
  • Equation-of-time tables engraved on the plate became common after the mid-seventeenth century, once pendulum clocks made the difference between solar and mean time obvious.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:The history timeline

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