
Clocks · Shelf clock, model no. k905
Shelf Clock, Model No. K905 by Jean George Theobald
- Maker / attribution
- Jean George Theobald (designer); Manning-Bowman Company (manufacturer)
- Date
- 1929–31
- Historical period
- Golden Age of Mechanical Watchmaking (1900 – 1945)
- Country of origin
- United States
- Place
- Meriden
- Object type
- Shelf clock, model no. k905
- Materials / technique
- aranium-plated metal, catalin, silver-plated metal, and glass
- Dimensions
- 9 5/8 × 10 3/4 × 3 3/4 in. (24.45 × 27.31 × 9.5 cm)
- Holding institution
- Yale University Art Gallery, New Haven
- Accession / object no.
- 1981.53.12
- Credit line
- Gift of Jane Ritchie in memory of Andrew C. Ritchie
- Catalogue title (original)
- Shelf Clock, Model No. K905 (English)
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Record summary
Held and catalogued by Yale University Art Gallery, New Haven (object number 1981.53.12), this is a shelf clock, model no. k905 by Jean George Theobald, made in Meriden, United States, dated 1929–31. The Atlas places it in the Golden Age of Mechanical Watchmaking period (1900 – 1945) of its Clocks collection. Materials and techniques recorded by the source: aranium-plated metal, catalin, silver-plated metal, and glass. Recorded dimensions: 9 5/8 × 10 3/4 × 3 3/4 in. (24.45 × 27.31 × 9.5 cm). The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Published references — Yale University Art Gallery
"Acquisitions 1981," Yale University Art Gallery Bulletin 38, no. 3 (Winter 1983), 74 · Karen Davies, At Home in Manhattan: Modern Decorative Arts, 1925 to the Depression, exh. cat. (New Haven, Conn.: Yale University Art Gallery, 1983), 101, no. 73, ill. · Karen Davies, "Tastemaking in America: The Birth of Mass Design," Industrial Design 30, no. 6 (November/December 1983), 34, ill. · John Stuart Gordon et al., A Modern World: American Design from the Yale University Art Gallery, 1920–1950 (New Haven, Conn.: Yale University Art Gallery, 2011), 99, no. 57
Inscriptions & marks
"MANNING-BOWMAN" stenciled on clock face; "START / [arrow] / PUSH IN / TURN LEFT & LET GO" sans serif, incised in metal plate on back around hole for switch; "NOTE - CURRENT INTERUPTIONS / WILL STOP CLOCK - RESTART & RESET / PAT.NO.1.719.805 - OTHERS PENDING / 60 [in rectangle] CYCLE 80-135 VOLTS - 2 WATTS - NO. K905 [in rectangle, "5" overstruck with "4"] / MANNING-BOWMAN & CO. MERIDEN, CONN. U.S.," sans serif incuse, incised in metal on back; "3393 FL" freehand, incised in metal plate on back above model number.
Provenance
Jane Thompson Ritchie and Andrew Carnduff Ritchie, New York, then Buffalo, New York, New Have, Conn., and Canaan, Conn., after 1935–81
Historical context
Golden Age of Mechanical Watchmaking (1900 – 1945)
The wristwatch displaces the pocket watch; waterproof cases, self-winding and grand complications.
Between 1900 and 1945 clocks were electrified: master-clock systems ran factories and offices, synchronous mains clocks entered homes, and the Shortt free-pendulum clock set new standards of accuracy before the first quartz clocks (1927). Art Deco design reshaped mantel and table clocks.
Read the period in the timelineMore clocks from this periodEarlier: Industrial Revolution
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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