
Instruments · Sundial
Portage / Tai Whakarunga Tai Whakararo
- Maker / attribution
- Warren Viscoe (creator); Bill McKay (creator)
- Date
- 2002
- Historical period
- Mechanical Renaissance (1990 – 2010)
- Country of origin
- Unrecorded in source
- Object type
- Sundial
- Materials / technique
- aluminium, steel, concrete
- Holding institution
- Auckland Council Art Collection
- Credit line
- Object data: Wikidata (CC0), holding collection Auckland Council Art Collection
- Catalogue title (original)
- Portage / Tai Whakarunga Tai Whakararo (English)
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Record summary
Held and catalogued by Auckland Council Art Collection, this is a sundial by Warren Viscoe, dated 2002. The Atlas places it in the Mechanical Renaissance period (1990 – 2010) of its Instruments collection. Materials and techniques recorded by the source: aluminium, steel, concrete. The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Wikidata description
sculpture in New Lynn, Auckland, New Zealand
Historical context
Mechanical Renaissance (1990 – 2010)
Mechanical watches return as cultural objects; independent watchmaking flourishes.
Satellite navigation and network time made precise time universal; historic instruments are studied as heritage.
Read the period in the timelineMore instruments from this periodEarlier: Quartz Revolution
Atlas type guide
Sundials and solar time-finders
A sundial tells time from the position of a shadow cast by a gnomon or style. Because the sun's apparent motion depends on latitude, every fixed dial is laid out for a particular latitude, and portable dials either carry a latitude scale or are made for one region. Sundials show local apparent solar time, which drifts against mean (clock) time by up to about sixteen minutes over the year — the equation of time.
Portable dials were the pocket instruments of the sixteenth to eighteenth centuries. Nuremberg and Augsburg workshops produced folding ivory diptych dials with inset compasses; English and French makers sold brass horizontal dials, ring dials and the Butterfield type; Japanese and Chinese makers had their own traditions of compass dials. After mechanical watches became reliable, dials remained in use for setting them, and nineteenth-century heliochronometers were built to correct directly for the equation of time.
What to look for
- The latitude engraved on the dial plate or a latitude arc on the gnomon — it shows where the dial was meant to be used.
- The type of hour lines: equal (equinoctial) hours, Italian or Babylonian hours counted from sunset or sunrise, or unequal temporal hours on early and Islamic instruments.
- An inset magnetic compass and whether a magnetic-declination mark is drawn on its card — a useful dating clue because declination changes over time.
- Maker's signatures and town marks: Nuremberg compass-makers (Kompassmacher) often struck a personal mark and the town's punch.
- Additional scales such as lunar volvelles, wind roses, perpetual calendars or lists of cities with their latitudes.
Dating clues
- Ivory diptych dials are characteristic of Nuremberg between about 1500 and 1700.
- Butterfield-type dials with a bird-shaped adjustable gnomon point to Paris workshops from the late seventeenth century onward.
- Equation-of-time tables engraved on the plate became common after the mid-seventeenth century, once pendulum clocks made the difference between solar and mean time obvious.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:The history timeline
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