Hourglass made by Virgin Records to promote the David Bowie album Hours , 1999 — view 1 of 4
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Instruments · Hourglass

Hourglass made by Virgin Records to promote the David Bowie album Hours , 1999

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Rex Ray (designer); Virgin Records (maker)
Date
1999
Country of origin
Unrecorded in source
Object type
Hourglass
Materials / technique
Blown glass filled with sand, held in carved, varnished wooden casing. Fixed with metal bolts, cushioned with foam washers. With printed designs.
Dimensions
Height: 23 cm; Diameter: 15.5 cm
Accession / object no.
LOAN:AMERICASFOUNDATION.2185-2024
Credit line
Lent by the V&A Americas Foundation through the generosity of Jones/Tintoretto Entertainment Company LLC

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number LOAN:AMERICASFOUNDATION.2185-2024), this is a hourglass by Rex Ray, dated 1999. The Atlas places it in the Mechanical Renaissance period (1990 – 2010) of its Instruments collection. Materials and techniques recorded by the source: Blown glass filled with sand, held in carved, varnished wooden casing. Fixed with metal bolts, cushioned with foam washers. With printed designs. Recorded dimensions: Height: 23 cm; Diameter: 15.5 cm. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Physical description

A glass hourglass filled with sand, set in a large wooden casing. The wooden casing is formed of two flat discs of wood at the top and bottom, connected by three carved wooden spindles. The top disc is printed with the word 'HOURS...', printed in the same stylised font as seen on the Hours album cover. On the bottom disc, it is printed with the 'db' logo used by David Bowie during this period.

Historical context

Mechanical Renaissance (1990 – 2010)

Mechanical watches return as cultural objects; independent watchmaking flourishes.

Satellite navigation and network time made precise time universal; historic instruments are studied as heritage.

Read the period in the timelineMore instruments from this periodEarlier: Quartz Revolution

Atlas type guide

Sandglasses and hourglasses

A sandglass measures an interval rather than telling the time of day: a fixed quantity of fine material runs from one bulb into the other through a narrow neck. Documented in Europe from the fourteenth century, sandglasses were used on board ship to time watches and to measure speed with the log line, in churches to time sermons, in schools, laboratories and kitchens.

Early glasses were made as two separate bulbs bound together at the neck with a diaphragm and wax and thread; one-piece blown glasses only became usual in the nineteenth century. The 'sand' could be powdered marble, eggshell or metal filings, carefully sieved and dried. Sets of graduated glasses in one frame allowed several intervals to be timed.

What to look for

  • Whether the two bulbs are separate and bound at the neck, or blown as one piece.
  • The frame: turned wood, brass, silver or pewter, sometimes with pillars and decorated end plates.
  • Multiple glasses in a single frame, giving quarter, half, three-quarter and full hours.
  • Marine glasses of 30 seconds or 28 seconds used with the log line.

Dating clues

  • Bound two-piece glasses predate about 1800; one-piece glasses are generally later.
  • Sermon glasses on pulpits and multi-glass frames are characteristic of the sixteenth to eighteenth centuries.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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