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Musical Clock - Didisheim-Goldschmidt Fils & Co, Switzerland, c. 1930 — view 1 of 1
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Clocks · Musical clock

Musical Clock - Didisheim-Goldschmidt Fils & Co, Switzerland, c. 1930

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Didisheim-Goldschmidt Fils & Co (Maker)
Date
c. 1930
Country of origin
Switzerland
Place
Switzerland
Object type
Musical clock
Dimensions
9 cm (Height), 6.5 cm (Outside Diameter)
Holding institution
Museums Victoria, Melbourne
Accession / object no.
ST 19991
Catalogue title (original)
Musical Clock - Didisheim-Goldschmidt Fils & Co, Switzerland, circa 1930 (English)

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Record summary

Held and catalogued by Museums Victoria, Melbourne (object number ST 19991), this is a musical clock by Didisheim-Goldschmidt Fils & Co, made in Switzerland, dated c. 1930. The Atlas places it in the Golden Age of Mechanical Watchmaking period (1900 – 1945) of its Clocks collection. Recorded dimensions: 9 cm (Height), 6.5 cm (Outside Diameter). The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Summary — Museums Victoria

Musical clock mounted as a drum, made by Didisheim-Goldschmidt Fils & Co, Switzerland, circa 1930.

Physical description — Museums Victoria

Clock movement is contained in a hemisphere which resembles a globe on a stand with three crossed legs. Enamelled dial with Arabic numerals & and miniature painting. Base of one leg winds the mechanism.

Inscriptions & marks

Movement is marked 'La Timbale Enchantee' and 'Didishein-Goldschmidt Fils & Co, Swiss, Fab Suisse, Metal Dore'.

Provenance

Loan & Subsequent Bequest from Mr John Askew, 29 Jul 1936

Historical context

Golden Age of Mechanical Watchmaking (1900 – 1945)

The wristwatch displaces the pocket watch; waterproof cases, self-winding and grand complications.

Between 1900 and 1945 clocks were electrified: master-clock systems ran factories and offices, synchronous mains clocks entered homes, and the Shortt free-pendulum clock set new standards of accuracy before the first quartz clocks (1927). Art Deco design reshaped mantel and table clocks.

Read the period in the timelineMore clocks from this periodEarlier: Industrial Revolution

Atlas type guide

Astronomical, musical and automaton clocks

Astronomical clocks display more than the hour: the positions of the sun and moon in the zodiac, the phase of the moon, the calendar, sometimes the planets and eclipses. From Richard of Wallingford's and Giovanni de' Dondi's fourteenth-century clocks to the Prague Orloj and the Strasbourg cathedral clocks, they demonstrated the order of the cosmos. Renaissance makers in Augsburg and Nuremberg built celestial globe clocks and monstrance clocks as princely treasures.

Automaton and musical clocks entertained as well as informed: figures move, birds sing, organs and carillons play tunes from pinned cylinders. The eighteenth-century trade with China ('sing-songs') and Ottoman Turkey created a market for elaborate English, Swiss and French automata.

What to look for

  • Subsidiary dials for moon phase, calendar, zodiac and planetary positions.
  • Celestial globes or armillary spheres turned by the movement.
  • Pinned cylinders, bellows and pipes or bells for music.
  • Figures on cams and levers; separate trains for automaton work.

Dating clues

  • Renaissance astronomical table and globe clocks: c. 1550–1650.
  • English and Swiss automaton clocks for the Chinese market: c. 1760–1820.
  • Picture clocks (clockwork pictures) are mostly nineteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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