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Clocks · Mantel clock

Mantel Clock - France, c. 1900

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
c. 1900
Country of origin
France
Object type
Mantel clock
Dimensions
20 cm (Length), 13 cm (Width), 34 cm (Height)
Holding institution
Museums Victoria, Melbourne
Accession / object no.
ST 19403
Catalogue title (original)
Mantel Clock - France, circa 1900 (English)

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Record summary

Held and catalogued by Museums Victoria, Melbourne (object number ST 19403), this is a mantel clock, made in France, dated c. 1900. The Atlas places it in the Golden Age of Mechanical Watchmaking period (1900 – 1945) of its Clocks collection. Recorded dimensions: 20 cm (Length), 13 cm (Width), 34 cm (Height). The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Physical description — Museums Victoria

Round movement mounted in black ornate metal case with four columns in corners and surmounted by ornament shaped like an ancient lamp. Spring wound; anchor escapement.

Inscriptions & marks

Backplate of movement is marked '5580'.

Provenance

Loan & Subsequent Bequest from Mr John Askew, 30 Apr 1982

Historical context

Golden Age of Mechanical Watchmaking (1900 – 1945)

The wristwatch displaces the pocket watch; waterproof cases, self-winding and grand complications.

Between 1900 and 1945 clocks were electrified: master-clock systems ran factories and offices, synchronous mains clocks entered homes, and the Shortt free-pendulum clock set new standards of accuracy before the first quartz clocks (1927). Art Deco design reshaped mantel and table clocks.

Read the period in the timelineMore clocks from this periodEarlier: Industrial Revolution

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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