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Hourglass, 1800 – 1900 (uncertain) — view 1 of 1
View 1 of 1 · Image: © 1981 GrandPalaisRmn (musée du Louvre) / Photographe inconnu · original image source (opens another website in a new tab)

Instruments · Hourglass

Hourglass, 1800 – 1900 (uncertain)

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
1800 – 1900 (uncertain)
Country of origin
Unrecorded in source
Object type
Hourglass
Materials / technique
copper alloy, glass
Dimensions
height 24,5 cm; diameter 8,5 cm
Holding institution
Musée du Louvre, Paris
Accession / object no.
OA 10191
Credit line
Musée du Louvre, Département des Objets d'art du Moyen Age, de la Renaissance et des temps modernes
Catalogue title (original)
Sablier (French)

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Record summary

Held and catalogued by Musée du Louvre, Paris (object number OA 10191), this is a hourglass, dated 1800 – 1900 (uncertain). The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Instruments collection. Materials and techniques recorded by the source: copper alloy, glass. Recorded dimensions: height 24,5 cm; diameter 8,5 cm. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Catalogue description — Musée du Louvre (French)

"Les deux bases circulaires à moulures sont reliées par cinq colonnes prolongées et interrompues à mi-hauteur par des billes. L’une de ces billes plus grosse que les autres est percée diamétralement pour fixer l’instrument sur un support. La fiole se compose de deux globules quasi tronconiques dont le joint est couvert d’une toile beige serrée de fils bruns ; le diaphragme est en alliage cuivreux. Le sable de couleur ocre s’écoule en 1 minute et demie." (Frémontier-Murphy, 2002)

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Dating and period as catalogued (French)

Date de création/fabrication : 1800 - 1900

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Materials and techniques as catalogued (French)

Matériau/Technique : Amarante, poirier, verre, toile beige serrée de fils bruns, alliage cuivreux, sable ocre · Matériau : alliage cuivreux · Matériau : amarante · Matériau : poirier · Matériau : sable (ocre) · Matériau : toile (beige, serrée de fils bruns) · Matériau : verre

Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.

Provenance

Collection Claudius Côte, Lyon ; legs Mme Marie-Françoise Côte, accepté par décret du 9 juillet 1961

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The longitude problem was solved by the marine chronometer and lunar distance methods; dividing engines made precision scales possible, and observatories set time by transit instruments.

Read the period in the timelineMore instruments from this periodEarlier: Early Modern Horology

Atlas type guide

Sandglasses and hourglasses

A sandglass measures an interval rather than telling the time of day: a fixed quantity of fine material runs from one bulb into the other through a narrow neck. Documented in Europe from the fourteenth century, sandglasses were used on board ship to time watches and to measure speed with the log line, in churches to time sermons, in schools, laboratories and kitchens.

Early glasses were made as two separate bulbs bound together at the neck with a diaphragm and wax and thread; one-piece blown glasses only became usual in the nineteenth century. The 'sand' could be powdered marble, eggshell or metal filings, carefully sieved and dried. Sets of graduated glasses in one frame allowed several intervals to be timed.

What to look for

  • Whether the two bulbs are separate and bound at the neck, or blown as one piece.
  • The frame: turned wood, brass, silver or pewter, sometimes with pillars and decorated end plates.
  • Multiple glasses in a single frame, giving quarter, half, three-quarter and full hours.
  • Marine glasses of 30 seconds or 28 seconds used with the log line.

Dating clues

  • Bound two-piece glasses predate about 1800; one-piece glasses are generally later.
  • Sermon glasses on pulpits and multi-glass frames are characteristic of the sixteenth to eighteenth centuries.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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