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Pocket Watches · Pocket watch

Gold Quarter Repeating Musical Watch

DocumentedDocumented from a dealer's listing; attribution and date as stated by the dealer.
Maker / attribution
Unrecorded in source
Date
19th century
Country of origin
Unrecorded in source
Object type
Pocket watch
Materials / technique
gold
Stock no.
Product 1134
Credit line
Dealer listing, WatchMuseum.org shop (product 1134)
Catalogue title (original)
Gold Quarter Repeating Musical Watch (English)

View the source record (dealer listing) ↗ (opens another website in a new tab)Suggest a correction

Record summary

Catalogued by WatchMuseum.org shop (stock number Product 1134), this is a pocket watch, dated 19th century. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Pocket Watches collection. Materials and techniques recorded by the source: gold. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Dealer description — WatchMuseum.org shop

The GOLD QUARTER REPEATING MUSICAL WATCH from the early 19th century is a stunning example of Swiss craftsmanship and ingenuity. This exquisite timepiece features a gold dial and an open face case, showcasing the elegance and sophistication of the era. Powered by a gilt movement with two resting barrels, it includes a larger barrel that fuels the musical train, ensuring a harmonious blend of timekeeping and melody. The watch is meticulously designed with a polished steel Geneva stopwork, a sector-shaped cock, a steel coqueret, and a steel regulator, all contributing to its precise functionality. Its plain gilt balance, spiral spring, polished steel cylinder, and escape wheel work in unison to maintain accurate time. The back plate’s steel components manage the disc-type musical train and a Strike-Silent lever, while the pendant quarter repeat mechanism operates on two steel gongs. The musical feature can be activated via a lateral slide in the band or automatically on the hour. The watch is adorned with a gold engine-turned dial, Roman numerals, and gilt Breguet hands, enclosed in a finely crafted gold open face case with a ribbed middle and apertures for winding on the gilt cuvette. In excellent condition, this 58 mm masterpiece is a testament to the enduring quality and artistry of 19th-century European watchmaking. This is a remarkable timepiece from early 19th century Switzerland. It is a quarter repeating musical watch featuring a gold dial and a gold open face case. The gilt movement is powered by two resting barrels, and the larger barrel, which is half the diameter of the movement, provides the energy for the musical train. The watch is fitted with a polished steel Geneva stopwork, a pierced sector-shaped cock, a polished steel coqueret, and a polished steel regulator. A plain gilt balance with a spiral spring, a polished steel cylinder, and a steel escape wheel keep the time accurately, while the steel work on the back plate controls the disc type musical train and a steel Strike-Silent lever. The watch is able to pendant quarter repeat on two steel gongs, with the mechanism situated under the dial. A lateral slide in the band activates the musical mechanism, which also plays automatically on the hour. The watch is signed with a gold engine turned dial featuring Roman numerals and gilt Breguet hands. The fine engine turned gold open face case has a ribbed middle, and the gilt cuvette includes apertures for winding. Overall, this timepiece is in excellent condition. Origin European Other Period 19th Century Condition Excellent Materials Gold Dimensions 58 mm

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

From 1750 to 1850 the watch became a precision instrument. Mudge's lever escapement, the cylinder escapement, Lépine's thin bar calibre, Breguet's innovations (overcoil, tourbillon, perpétuelle) and the pocket chronometer of Arnold and Earnshaw all date from this period, while verge watches remained common in cheaper production.

Read the period in the timelineMore pocket watches from this periodEarlier: Early Modern Horology

Atlas type guide

Repeating watches

Before electric light, telling the time in the dark was a real problem. Repeating watches strike the time on demand when a slide or push-piece is operated: quarter repeaters sound hours and quarters, minute repeaters hours, quarters and minutes. Edward Barlow and Daniel Quare disputed the invention in London in the 1680s. Early repeaters struck on a bell inside the case; Abraham-Louis Breguet introduced the gong (a coiled steel wire) around 1780, allowing thinner watches.

Repeaters require a separate train with racks, snails and a governor to control the striking speed, and are among the most demanding complications to make and adjust. Swiss makers of the Vallée de Joux specialised in repeating ébauches in the nineteenth century.

What to look for

  • A slide on the case band or a push-piece through the pendant.
  • Gongs encircling the movement (after c. 1780) or a bell in the case (earlier); pierced case for sound.
  • The racks, snails and governor visible under the dial or on the movement.
  • Terms such as 'Minutes', 'Quarts' or 'Répétition' on the dial or cuvette.

Dating clues

  • Bell-striking quarter repeaters: c. 1690–1800.
  • Gong repeaters and dumb repeaters (striking on the case): after c. 1780.
  • Minute repeaters became more common after c. 1830 with Vallée de Joux ébauches.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Minute repeaterMinute repeater

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