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Instruments · Mariner's astrolabe

Mariner's Astrolabe

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
1550–1600
Country of origin
Spain
Place
possibly Spain
Object type
Mariner's astrolabe
Materials / technique
brass
Dimensions
Overall: 25 x 215 x 205 mm; Diameter: 207 mm
Holding institution
Royal Museums Greenwich
Accession / object no.
NAV0030 NAV0030 A.63 F6831-001 F6831-002 F6831-003 D4434
Credit line
Royal Museums Greenwich
Catalogue title (original)
Mariner's Astrolabe (English)

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Record summary

Held and catalogued by Royal Museums Greenwich (object number NAV0030 NAV0030 A.63 F6831-001 F6831-002 F6831-003 D4434), this is a mariner's astrolabe, made in possibly Spain, dated 1550–1600. The Atlas places it in the Renaissance Horology period (1400 – 1600) of its Instruments collection. Materials and techniques recorded by the source: brass. Recorded dimensions: Overall: 25 x 215 x 205 mm; Diameter: 207 mm. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

The source record does not include a narrative description. The structured fields above are reproduced from it.

Historical context

Renaissance Horology (1400 – 1600)

Spring power makes clocks portable; Nuremberg and Augsburg produce the first watches; the Prague Orloj is built.

Instrument-making flourished in Nuremberg, Augsburg, Louvain and London: ivory diptych dials, astronomical compendia, astrolabes and nocturnals for wealthy patrons, navigators and scholars.

Read the period in the timelineMore instruments from this periodEarlier: Medieval Period

Atlas type guide

Astrolabes, quadrants and astronomical compendia

The planispheric astrolabe is a two-dimensional model of the sky. A pierced rotating star map (the rete) turns over a plate engraved for a particular latitude; by aligning a star or the sun with its observed altitude, the user can read the time of day or night, the time of sunrise and sunset, and solve many other astronomical problems. Developed in the Hellenistic world and refined by astronomers in the Islamic world from the eighth century, it reached Latin Europe through al-Andalus.

Quadrants, compendia, armillary spheres and later orreries belong to the same family of instruments that model the heavens. They were teaching tools, status objects and practical time-finders. Many surviving examples are signed and dated, which makes them important evidence for the history of instrument-making workshops in Baghdad, Isfahan, Lahore, Toledo, Louvain, Nuremberg, London and elsewhere.

What to look for

  • The latitudes engraved on the plates — they show which cities the instrument was made for.
  • The script and calendar used: Arabic or Persian inscriptions, abjad numerals, Hebrew or Latin text indicate tradition and region.
  • The design of the rete: the number of named stars and the style of the star pointers changes by region and period.
  • Shadow squares, unequal-hour lines and zodiac scales on the back (dorsum).
  • Signatures, dedications and dates, often hidden on the throne (kursi) or the back.

Dating clues

  • Signed and dated astrolabes allow precise dating; undated ones are attributed by star positions on the rete, which shift slowly through precession.
  • Gothic-style retes with tracery are typical of European instruments of the fourteenth and fifteenth centuries.
  • Printed paper astrolabes and planispheres became common from the sixteenth century onward.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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