
Clocks · Alarm tabernacle clock
Gilt copper and iron, South German, 1580-85, the clock face dated 1620 and signed by Thobias Küster.
- Maker / attribution
- Unrecorded in source
- Date
- 1580-1585
- Historical period
- Renaissance Horology (1400 – 1600)
- Country of origin
- Germany
- Place
- Southern Germany,
- Object type
- Alarm tabernacle clock
- Materials / technique
- Gilt copper, iron.
- Dimensions
- Height: 31.2 cm; Width: 17.5 cm; Depth: 17.5 cm; Weight: 4786.8 g
- Holding institution
- Victoria and Albert Museum, London
- Accession / object no.
- M.106-1953
- Credit line
- Given by Dr W.L. Hildburgh
Record summary
Held and catalogued by Victoria and Albert Museum, London (object number M.106-1953), this is an alarm tabernacle clock, made in Southern Germany,, dated 1580-1585. The Atlas places it in the Renaissance Horology period (1400 – 1600) of its Clocks collection. Materials and techniques recorded by the source: Gilt copper, iron. Recorded dimensions: Height: 31.2 cm; Width: 17.5 cm; Depth: 17.5 cm; Weight: 4786.8 g. The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
V&A — Summary
A gilt copper table clock in the form of a Doric temple with a late dial inscribed and dated Thobias Küster 1620. The side panels are engraved with figures representing 'Astrologia', 'Geometrica' and 'Arithmetica' taken from woodcuts by Hans Sebald. The clock case is South German, about 1580.
V&A — Physical description
Case: The case of gilt copper, the face a later addition, the side panels engraved with figures emblematic of the Sciences from designs by H. S. Beham and signed with the monogram A.P. The case of square section with an attached Doric column on a plinth at each corner. The top of the case surrounded by a Doric frieze and entablature supported by the four columns. The intervening panels between the columns are engraved with the allegorical figures of Astrology, Geometry and Arithmetic. These representations are copied from woodcuts by Hans Sebald Beham. The panels between the plinths are engraved with various types of foliage enclosing roundels with profile Roman heads. The fourth side contains the clock face and has evidently been inserted later, presumably in 1620, the date engraved on it. Within the hour ring of the clock is an alarm indicator dial which revolves with the single hour hand. The alarm indicator hand is missing. On the front of the clock, above the cornice, is a revolving sphere, one half of which is gilt and one half blue. This revolves once in twenty-four hours. In the centre of the top is the bell for the alarm and the striking mechanisms. The gilded exterior of the bell is etched with arabesques and it is suspended from a frame consisting of four legs surmounted by grotesque bearded heads and terminating in lions' paws. The meeting point of the legs forms a pedestal for a draped female figure whose attributes, if any, are now missing. At each corner of the top is a figure of a putto blowing a horn. The female figure's upper arms appear to be restored; one of the putto is ungilded and may be a replacement. Dial: Dial-plate, 11.4 cm x 7.3 cm, with engraved chapter-ring 6.3 cm diameter. Roman hours I to XII, punched dots as half-hour marks. Central alarm disc 3.8 cm diameter, engraved 1 to 12 in arabic, with dots at half-hours. Signed elow chapter-ring "THOBIAS KUSTER 1620". The whole plate a later replacement. Single pierced iron hour-hand. Movement: Frame and movement mainly of iron, but with two brass wheels, probably renewals. Posted movement, with square baluster corner pillars. The trains mounted between three vertical strips, which continue downwards below the baseplate, the two outer strips ending in splayed-out feet. The spring barrels mounted between these lower extensions. Both trains with fusees, the going train with a chain and the striking train with a gut line. Going train, in front of movement, now with escapement of "tic-tac" type; escape wheel of 35 teeth, the pallets embracing 3 teeth. The bob pendulum now broken off. The globe, half light, half dark, mounted above the dial rotates once in 24 hours, and is driven through a skew arbor. Striking train, in rear of movement, of count wheel type, the wheel out for the usual sequence 1 to 12. The bell is gilt and engraved with strapwork. The alarm train, formerly at the top right of the movement, is now missing.
V&A — Object history
One of five clocks given by Dr W.L.Hildburgh FSA. Dr Hildburgh had an endearing habit of giving the museum presents at Christmas and on his own birthday. Dr Hildburgh bought boxwood carvings, Spanish silver, the interiors of the Northumberland House Glass Drawing Room; and when he died bequeathed the rest of his collection.
Inscriptions & marks
Thobias Kuster 1620
Historical context
Renaissance Horology (1400 – 1600)
Spring power makes clocks portable; Nuremberg and Augsburg produce the first watches; the Prague Orloj is built.
Spring power made the domestic clock portable. Augsburg and Nuremberg produced gilt-brass table clocks, often with astronomical dials and alarms; weight-driven Gothic wall clocks and English lantern clocks served households. Clocks of this period have foliot or balance-wheel control and usually only an hour hand.
Read the period in the timelineMore clocks from this periodEarlier: Medieval Period
Atlas type guide
Bracket, table and spring-driven clocks
Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.
After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.
What to look for
- A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
- Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
- Repeat cords or buttons that make the clock strike again on demand.
- Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
- Case shapes: inverted bell, bell top, break-arch, lancet or balloon.
Dating clues
- Drum and tower table clocks: c. 1520–1650.
- Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
- Engraved backplates were usual on English clocks until c. 1800, then generally plain.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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