Clock case, lead-glazed earthenware painted in pink lustre, probably made in Sunderland, ca. 1820-1830 — view 1 of 1
View 1 of 1 · Image: © Victoria and Albert Museum, London · original image source

Movements & Components · Clock case

Clock case, lead-glazed earthenware painted in pink lustre, probably made in Sunderland, ca. 1820-1830

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Unrecorded in source
Date
ca. 1820-1830
Country of origin
Unrecorded in source
Place
Sunderland
Object type
Clock case
Materials / technique
Lead-glazed earthenware, painted in lustre
Accession / object no.
162-1874
Credit line
Bought from the Haliburton Collection

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number 162-1874), this is a clock case, made in Sunderland, dated ca. 1820-1830. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Movements & Components collection. Materials and techniques recorded by the source: Lead-glazed earthenware, painted in lustre. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Physical description

Lead-glazed earthenware clock case, painted in pink lustre

V&A gallery label

Clock case Probably made in Sunderland, about 1820-30 Lead-glazed earthenware, painted in pink lustre 162-1874

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

The age of escapement invention: cylinder, duplex, lever, detent and many experimental escapements; compensation balances and fine finishing.

Read the period in the timelineMore movements & components from this periodEarlier: Early Modern Horology

Atlas type guide

Cases, keys and accessories

Clock and watch cases protect the movement and express taste and status. Watch cases were made by separate specialist case-makers whose marks, along with assay hallmarks, help to date and place them. Clock cases were the work of cabinet-makers, bronze founders, ceramic factories and silversmiths, so they belong as much to the history of decorative arts as to horology.

Keys, chatelaines, watch stands, watch papers and winding tools are part of the material culture of timekeeping: they show how timepieces were worn, displayed, wound and maintained.

What to look for

  • Case maker's sponsor's marks and assay hallmarks in gold and silver cases.
  • Materials: shagreen, tortoiseshell, enamel, porcelain, jasperware, gilt bronze.
  • Breguet-style ratchet keys, crank keys and watch-key fobs.
  • Engraved names, presentations and dates.

Dating clues

  • English hallmark date letters allow exact dating of the case assay.
  • Porcelain cases from Meissen and Sèvres: mostly eighteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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