Bracket clock by Thomas Tompion, England, ca. 1690 — view 1 of 3
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Clocks · Bracket clock

Bracket clock by Thomas Tompion, England, ca. 1690

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Thomas Tompion (maker)
Date
ca. 1690
Country of origin
England
Place
London
Object type
Bracket clock
Materials / technique
Case of oak, veneered with ebony, with gilt-bronze mounts
Dimensions
Height: 35.5 cm (with handle up); Width: 23.5 cm (maximum at base, including feet); Depth: 16.2 cm (maximum at base, including feet)
Accession / object no.
M.214-1924

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number M.214-1924), this is a bracket clock by Thomas Tompion, made in London, England, dated ca. 1690. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: Case of oak, veneered with ebony, with gilt-bronze mounts. Recorded dimensions: Height: 35.5 cm (with handle up); Width: 23.5 cm (maximum at base, including feet); Depth: 16.2 cm (maximum at base, including feet). The record is illustrated with 3 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Summary

Object Type This bracket clock is signed by Thomas Tompion on the back plate and numbered '35' at the top left inside a scroll. Tompion numbered most of his clocks and a date sequence has been worked out by specialists using these numbers. This number is consistent with a date of manufacture around 1690. The movement has a gong train with a large spring, barrel fusee and pendulum. It is also fitted with a complex repeating mechanism. If the cords attached to two short arms at the back of the clock are pulled, the hour and quarter hour are struck on two bells of different pitch. The case is of oak and a measure of the quality of Tompion's workmanship is the use of an ebony veneer of unusual thickness. Maker Thomas Tompion (1639-1713) was the leading English clockmaker of the period. He introduced some important innovations, including some of the first watches with balance springs and also complex repeating mechanisms for clocks. All his clocks and watches are of outstanding quality. A contemporary recorded that Tompion could get as much as £10 for his clocks, whereas other clockmakers could only get £4 to £6. Ownership & Use The owner of this clock was from the French family of Lefort des Ylouses and came from Boulogne. A family story records that the clock was first acquired by a member who had been a French prisoner of war during the Napoleonic wars. He was presumably a senior officer on parole, and thus wealthy enough to buy such a clock.

V&A — Object history

Made in London and signed by Thomas Tompion (born in Bedfordshire, 1639, died in London, 1713)

V&A gallery label

British Galleries: This type of clock has a short pendulum that makes it small enough to sit on a shelf, or bracket. These clocks were first made in The Netherlands in 1657, and British makers soon adopted the form. Thomas Tompion, a member of the Royal Society, made highly fashionable clocks and watches.

Inscriptions & marks

The back-plate is signed THO.TOMPION FECIT and numbered '35' at the top left inside a scroll

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Verge escapementAnchor (recoil) escapement

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