A spring mantel clock on a marble base with brass feet by Pierre Leurtier, Paris, about 1860 — view 1 of 1
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A spring mantel clock on a marble base with brass feet by Pierre Leurtier, Paris, about 1860

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Pierre Leurtier (clockmaker)
Date
1870
Country of origin
France
Place
Paris
Object type
Clock
Materials / technique
Marble, brass, ormolu
Dimensions
Height: 21 in; Width: 10.25 in
Accession / object no.
M.1780-1944

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number M.1780-1944), this is a clock by Pierre Leurtier, made in Paris, France, dated 1870. The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Clocks collection. Materials and techniques recorded by the source: Marble, brass, ormolu. Recorded dimensions: Height: 21 in; Width: 10.25 in. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Physical description

A spring clock with a white enamelled dial on a white marble base with angled corners and with flat circular brass feet, the case of ormolu, the sides set with oval enamel plaques decorated with cupids. On top is a cupid sitting on a red enamelled globe studded with stars and mounted with a wreath. CASE: Cubical case of ormolu. MOVEMENT: The dial 11.4 cm diameter, with hours in Roman numerals, minutes in Arabicand intervals of five outside minute ring. Winding holes inside IIII and VIII; small hole for regulation above XII DIAL signed above centre Pre Leurtier AParis with ornate gilt brass hands. Circular movement plates 9 cm diameter; the backplate stamped with the initials AC within a circle and 2298 also stamped 4 6 at bottom. Going train at right; anchor escapement, with escape wheel of 43T, the pallets embracing 12 teeth. The pendulum missing, but regulator of Brocot type. The rack striking train to left; the bell missing. Both trains with going barrels.

V&A — Historical context

Mantel clock

V&A — Object history

Bequeathed by W.T. Johnson with a collection of over 150 pieces of English, French and Irish domestic 18th and 19th century silver including tapersticks, cream jugs and salvers

Inscriptions & marks

LEURTIER APARIS

Historical context

Industrial Revolution (1850 – 1900)

American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.

Factory production transformed the clock into an everyday object. American makers (Seth Thomas, Ansonia, Waterbury) and German factories (Junghans, Gustav Becker, Lenzkirch) sold millions of shelf, wall and alarm clocks worldwide; France produced standardised Paris movements and carriage clocks; electric time distribution began.

Read the period in the timelineMore clocks from this periodEarlier: Precision & Scientific Horology

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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