
Movements & Components · Watch case
Watch case by Christophe Morliêre, France, ca. 1645–50
- Maker / attribution
- Christophe Morliêre (Enameler)
- Date
- ca. 1645–50
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- France
- Object type
- Watch case
- Materials / technique
- Metal, enamel
- Dimensions
- Diameter: 2 5/16 in. (5.9 cm)
- Holding institution
- The Metropolitan Museum of Art, New York
- Accession / object no.
- 17.190.1583
- Credit line
- Gift of J. Pierpont Morgan, 1917 anhangeuhr
- Catalogue title (original)
- Watch case
Record summary
Held and catalogued by The Metropolitan Museum of Art, New York (object number 17.190.1583), this is a watch case by Christophe Morliêre, made in France, dated ca. 1645–50. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Movements & Components collection. Materials and techniques recorded by the source: Metal, enamel. Recorded dimensions: Diameter: 2 5/16 in. (5.9 cm). The record is illustrated with 4 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
The source record does not include a narrative description. The structured fields above are reproduced from it.
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
The pendulum, anchor escapement and balance spring transformed movement design; English makers introduced jewelled bearings (1704).
Read the period in the timelineMore movements & components from this periodEarlier: Renaissance Horology
Atlas type guide
Cases, keys and accessories
Clock and watch cases protect the movement and express taste and status. Watch cases were made by separate specialist case-makers whose marks, along with assay hallmarks, help to date and place them. Clock cases were the work of cabinet-makers, bronze founders, ceramic factories and silversmiths, so they belong as much to the history of decorative arts as to horology.
Keys, chatelaines, watch stands, watch papers and winding tools are part of the material culture of timekeeping: they show how timepieces were worn, displayed, wound and maintained.
What to look for
- Case maker's sponsor's marks and assay hallmarks in gold and silver cases.
- Materials: shagreen, tortoiseshell, enamel, porcelain, jasperware, gilt bronze.
- Breguet-style ratchet keys, crank keys and watch-key fobs.
- Engraved names, presentations and dates.
Dating clues
- English hallmark date letters allow exact dating of the case assay.
- Porcelain cases from Meissen and Sèvres: mostly eighteenth century.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Related records
Movements & Components · 1650
Watch case, France, 1650
Victoria and Albert Museum, London
Movements & Components · 1700–1799
Watch movement by Charles Le Roy, France, 1700–1799
Swedish National Museum of Science and Technology
Movements & Components · 1600–1699
Watch movement by Thomas Tylor, 1600–1699
Swedish National Museum of Science and Technology
Movements & Components · 1620
Tabernacle clock, engraved with figures of Mercury, Minerva, and Venus with Cupid, German, about 1620.
Victoria and Albert Museum, London
Movements & Components · 1640-1660
Watch movement by East, Edward, England, 1640-1660
Science Museum Group, London
Movements & Components · 1669
Wooden clock, with foliot type escapement, Germany, 1669 (driving weights missing).
Science Museum Group, London
Movements & Components · 1670
Watch movement, England, 1670
Science Museum Group, London
Movements & Components · 1685
Watch movement by Fromanteel, Ahasuerus, Netherlands, 1685
Science Museum Group, London