Watch and case by Jean Fazy, Switzerland, 1765-70 — view 1 of 4
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Pocket Watches · Watch and case

Watch and case by Jean Fazy, Switzerland, 1765-70

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Jean Fazy (watchmaker)
Date
1765-70
Country of origin
Switzerland
Place
Geneva
Object type
Watch and case
Accession / object no.
742&A-1890
Credit line
Bequeathed by Mrs Harriet Bolckow

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number 742&A-1890), this is a watch and case by Jean Fazy, made in Geneva, Switzerland, dated 1765-70. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Pocket Watches collection. The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Summary

Geneva has been celebrated since the second half of the seventeenth century for its enamelled watches. Jean Fazy (1737-94), whose name is on the dial and the movement, is well-known for his pair-cased watches (watches with an additional outer case) decorated with enamel and gemstones. Pair-cases were standard on London-made watches for much of the eighteenth century and the use of them here suggests the influence of London watchmaking which had a high reputation in Europe in the eighteenth century. The scene on this case derives from an engraving by H. S. Thomassin published in 1723 after a painting by Charles de la Fosse of Veturia and Volumnia before Coriolanus. The composition has been simplified so that only the wife of Coriolanus and one of his children are present, rather than his wife and mother and two children as depicted by Charles de la Fosse. The scene is here given a neo-classical setting by being painted within a circle bordered on both back and bezel by tightly-bound wreaths of laurel. There is slightly more freedom to the enamelled sprays of foliage immediately outside the scene, but they remain symmetrical. However, the hands of the watch, particularly the minute hand which has a C curve and is asymmetrical, and the asymmetrical scrolls on the bridgecock of the movement, show that the watch is in transition from the rococo style to the neo-classical. By the standards of Paris gold boxes, neo-classicism was dominant by 1763, so it seems likely that this watch was probably made during the 1760s.

V&A — Object history

Bequeathed in 1890 by Harriet Bolckow, widow of the Middlesbrough ironmaster, Henry William Ferdinand Bolckow.

V&A gallery label

Watch with the family of Coriolanus 1765–70 Like much Neoclassical decorative work, this watch combines subject matter and ornament taken from ancient Roman art. The family of Coriolanus is pleading with him to spare Rome. The same scene had been used on Rococo watchcases within a framework of complex scrolls. Here the scene is painted within a simple circle, framed by a Neoclassical laurel. Switzerland (Geneva) Movement by Jean Fazy Gold and silver, enamelled and set with diamonds Bequeathed by Mrs Harriet Bolckow

Inscriptions & marks

signed 'Jean Fazy'

Historical context

Precision & Scientific Horology (1750 – 1850)

Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.

From 1750 to 1850 the watch became a precision instrument. Mudge's lever escapement, the cylinder escapement, Lépine's thin bar calibre, Breguet's innovations (overcoil, tourbillon, perpétuelle) and the pocket chronometer of Arnold and Earnshaw all date from this period, while verge watches remained common in cheaper production.

Read the period in the timelineMore pocket watches from this periodEarlier: Early Modern Horology

Atlas type guide

Pocket watches

The pocket watch was the dominant personal timekeeper from the late seventeenth century until the First World War. Its development tracks the history of the escapement: verge watches with fusees until the late eighteenth century; Thomas Mudge's lever escapement (c. 1755) and the cylinder escapement popularised by George Graham and later by Swiss makers; and the Swiss and English lever watches of the nineteenth century. Lépine's bar-bridge calibre and keyless winding made watches thinner and easier to use.

Industrialisation transformed the trade: American factories such as Waltham (from 1850) and Elgin produced interchangeable parts by machine, and Swiss makers responded with their own mechanisation after the 1876 Philadelphia Exhibition. By 1900 a reliable watch was affordable to millions; the finest makers continued to produce complications and precision watches.

What to look for

  • The escapement: verge (crown wheel), cylinder, duplex, English or Swiss lever.
  • Key winding (a square arbor in dial or back) or keyless crown winding.
  • Signatures and serial numbers on the movement, dial and inside case back.
  • Hallmarks, case maker's marks and gold or silver standards stamped in the case.
  • Dial material: enamel, silver, gold, later printed metal.

Dating clues

  • Verge watches dominate before c. 1800; cylinder watches c. 1770–1900; lever watches after c. 1820.
  • Keyless winding: increasingly common after c. 1860.
  • Manufacturer serial number lists exist for Waltham, Elgin, Longines, Omega, Patek Philippe and others.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Verge escapementDetached lever escapementFuseeIdentification Centre

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