Clocks · Wall clock
Wall clock by Etienne Maxant, France, 1700–1799
- Maker / attribution
- Etienne Maxant (creator)
- Date
- 1700–1799
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- France
- Place
- France
- Object type
- Wall clock
- Holding institution
- German Clock Museum
- Accession / object no.
- Museu_ProvidedCHO_museum_digital_57139__technical_number_
- Catalogue title (original)
- Wanduhr, Oeil de boeuf, Antide Janvier, Werk: Etienne Maxant, Paris, Ende 18. Jahrhundert (German)
Record summary
Held and catalogued by German Clock Museum (object number Museu_ProvidedCHO_museum_digital_57139__technical_number_), this is a wall clock by Etienne Maxant, made in France, dated 1700–1799. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Catalogue description from German Clock Museum (German)
Antide Janvier, der diese Oeil de boeuf Ende des 18. Jahrhunderts fertigte, war seit 1771 in Paris als Uhrmacher tätig. Bekanntheit erlangte er für seine astronomischen Uhren, für die er verschiedene Auszeichnungen erhielt. Außerdem war Janvier während der Französischen Revolution Mitglied eines Auschusses, der über einen speziellen Revolutionskalender beriet. Die hier vergleichsweise einfach gehaltene Oeil de boeuf deutet darauf hin, dass es sich bei der Werkstatt Antide Janviers um eine größere Produktionsstätte gehandelt haben könnte, die neben aufwändigen astronomischen Uhren auch Objekte für den handelsüblichen Gebrauch fertigte. (Deutsches Uhrenmuseum Furtwangen)
Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.
Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology
Atlas type guide
Regulators, wall and Vienna clocks
A regulator is a precision pendulum clock used as a time standard in observatories, workshops and railway offices. Typical features are a deadbeat or Graham escapement, a temperature-compensated pendulum (mercury jar, gridiron or later invar), maintaining power and a regulator dial that separates hours, minutes and seconds. George Graham's deadbeat escapement (c. 1715) and his mercury pendulum, together with Harrison's gridiron, set the pattern for two centuries.
Wall clocks span a much wider range: the elegant Viennese Laterndluhr and Dachluhr of the Biedermeier period, the Dutch stoelklok and staartklok, English 'dial' clocks used in schools, offices and railway stations, and mass-produced spring and weight wall clocks from Germany (Gustav Becker, Junghans, Kienzle) and America.
What to look for
- Deadbeat escapement and compensated pendulum (gridiron rods, mercury jar or wood rod).
- A regulator dial with a large central minute hand and separate hour and seconds dials.
- Vienna regulators: glazed cases, slender pendulum, small weights, enamel two-piece dials.
- German factory trademarks stamped on the backplate (e.g. Gustav Becker anchor and crown, Junghans star).
Dating clues
- Graham-type deadbeat regulators: from c. 1720.
- Viennese Laterndluhr: c. 1800–1850.
- German factory 'Vienna-style' regulators: c. 1870–1930; Gustav Becker serial numbers allow close dating.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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