
Instruments · Sundial
Sundial, Wildegg, 1600–1699
- Maker / attribution
- Unrecorded in source
- Date
- 1600–1699
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- Unrecorded in source
- Place
- Wildegg
- Object type
- Sundial
- Holding institution
- Museum Aargau
- Accession / object no.
- _kimnet_cho_d49ec542_1432_f8d0_2999_3658632778ad
- Catalogue title (original)
- Klappsonnenuhr (German)
Record summary
Held and catalogued by Museum Aargau (object number _kimnet_cho_d49ec542_1432_f8d0_2999_3658632778ad), this is a sundial, made in Wildegg, dated 1600–1699. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Instruments collection. The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Catalogue description from Museum Aargau (German)
Die Klappsonnenuhr aus der 2. Hälfte des 17. Jahrhunderts ist ein faszinierendes Stück mit einer bewegten Geschichte. Nachdem das Benediktinerkloster Muri 1841 aufgelöst wurde, fanden Klosterschätze und Alltagsgegenstände nach und nach ihren Weg in das Antiquarium, eine vom Kanton Aargau finanziell unterstützte historische Sammlung. Diese Sonnenuhr wurde von einem Soldaten getragen, der 1712 in der 2. Schlacht bei Villmergen fiel, und gelangte anschliessend ins Kloster Muri. Die Uhr besteht aus einem hölzernen Gehäuse, das mit Elfenbein verkleidet ist, und ist mit einem Kompass ausgestattet. Der Deckel der Sonnenuhr zeigt zudem einen ewigen Kalender.
Shown in the original language of the source catalogue. An editor-reviewed English translation has not yet been published; we do not publish machine translations as authoritative text.
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Pocket sundials, Butterfield dials and sandglasses remained essential companions to imperfect clocks; navigators used sandglasses and the log line; observatories began to combine telescopes with pendulum clocks.
Read the period in the timelineMore instruments from this periodEarlier: Renaissance Horology
Atlas type guide
Sundials and solar time-finders
A sundial tells time from the position of a shadow cast by a gnomon or style. Because the sun's apparent motion depends on latitude, every fixed dial is laid out for a particular latitude, and portable dials either carry a latitude scale or are made for one region. Sundials show local apparent solar time, which drifts against mean (clock) time by up to about sixteen minutes over the year — the equation of time.
Portable dials were the pocket instruments of the sixteenth to eighteenth centuries. Nuremberg and Augsburg workshops produced folding ivory diptych dials with inset compasses; English and French makers sold brass horizontal dials, ring dials and the Butterfield type; Japanese and Chinese makers had their own traditions of compass dials. After mechanical watches became reliable, dials remained in use for setting them, and nineteenth-century heliochronometers were built to correct directly for the equation of time.
What to look for
- The latitude engraved on the dial plate or a latitude arc on the gnomon — it shows where the dial was meant to be used.
- The type of hour lines: equal (equinoctial) hours, Italian or Babylonian hours counted from sunset or sunrise, or unequal temporal hours on early and Islamic instruments.
- An inset magnetic compass and whether a magnetic-declination mark is drawn on its card — a useful dating clue because declination changes over time.
- Maker's signatures and town marks: Nuremberg compass-makers (Kompassmacher) often struck a personal mark and the town's punch.
- Additional scales such as lunar volvelles, wind roses, perpetual calendars or lists of cities with their latitudes.
Dating clues
- Ivory diptych dials are characteristic of Nuremberg between about 1500 and 1700.
- Butterfield-type dials with a bird-shaped adjustable gnomon point to Paris workshops from the late seventeenth century onward.
- Equation-of-time tables engraved on the plate became common after the mid-seventeenth century, once pendulum clocks made the difference between solar and mean time obvious.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:The history timeline
Related records
Instruments · 1575-1625
Sand-glass set (x4) fitted into an ebony case, inlaid with ivory. Italian, c1600
Victoria and Albert Museum, London
Instruments · 1578-1631
Tablet sun-dial 532-68, V & A M. reg, ivory inscribed "Hans Troschel faciebat", German, 6in by 3 1/4 in, 1578-1631
Science Museum Group, London
Instruments · 1593–1613
Sundial, Czech Republic, 1593–1613
MAK – Museum of Applied Arts
Instruments · 1600–1699
Astrolabe by Henry Sutton, Belgium, 1600–1699
Royal Institute for Cultural Heritage
Instruments · 1600–1699
Astrolabe by John Allen, Belgium, 1600–1699
Royal Institute for Cultural Heritage
Instruments · 1600–1699
Astrolabe by Lambert Damery, Belgium, 1600–1699 (Royal Institute for Cultural Heritage AP_10277393)
Royal Institute for Cultural Heritage
Instruments · 1600–1699
Astrolabe by Lambert Damery, Belgium, 1600–1699 (Royal Institute for Cultural Heritage AP_10368156)
Royal Institute for Cultural Heritage
Instruments · 1600–1636
Astrolabe, Germany, 1600–1636
Rijksmuseum