
Instruments · Portable equatorial sundial
Portable equatorial sundial by Ludewig, ca. 1725
- Maker / attribution
- Ludewig (Maker)
- Date
- ca. 1725
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- Unrecorded in source
- Object type
- Portable equatorial sundial
- Materials / technique
- Brass, water-gilded and silvered; silver
- Dimensions
- Overall: 2 3/4 × 5 1/8 × 5 1/8 in. (7 × 13 × 13 cm)
- Holding institution
- The Metropolitan Museum of Art, New York
- Accession / object no.
- 03.21.22
- Credit line
- Gift of Mrs. Stephen D. Tucker, 1903
- Catalogue title (original)
- Portable equatorial sundial
Record summary
Held and catalogued by The Metropolitan Museum of Art, New York (object number 03.21.22), this is a portable equatorial sundial by Ludewig, dated ca. 1725. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Instruments collection. Materials and techniques recorded by the source: Brass, water-gilded and silvered; silver. Recorded dimensions: Overall: 2 3/4 × 5 1/8 × 5 1/8 in. (7 × 13 × 13 cm). The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
The source record does not include a narrative description. The structured fields above are reproduced from it.
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Pocket sundials, Butterfield dials and sandglasses remained essential companions to imperfect clocks; navigators used sandglasses and the log line; observatories began to combine telescopes with pendulum clocks.
Read the period in the timelineMore instruments from this periodEarlier: Renaissance Horology
Atlas type guide
Sundials and solar time-finders
A sundial tells time from the position of a shadow cast by a gnomon or style. Because the sun's apparent motion depends on latitude, every fixed dial is laid out for a particular latitude, and portable dials either carry a latitude scale or are made for one region. Sundials show local apparent solar time, which drifts against mean (clock) time by up to about sixteen minutes over the year — the equation of time.
Portable dials were the pocket instruments of the sixteenth to eighteenth centuries. Nuremberg and Augsburg workshops produced folding ivory diptych dials with inset compasses; English and French makers sold brass horizontal dials, ring dials and the Butterfield type; Japanese and Chinese makers had their own traditions of compass dials. After mechanical watches became reliable, dials remained in use for setting them, and nineteenth-century heliochronometers were built to correct directly for the equation of time.
What to look for
- The latitude engraved on the dial plate or a latitude arc on the gnomon — it shows where the dial was meant to be used.
- The type of hour lines: equal (equinoctial) hours, Italian or Babylonian hours counted from sunset or sunrise, or unequal temporal hours on early and Islamic instruments.
- An inset magnetic compass and whether a magnetic-declination mark is drawn on its card — a useful dating clue because declination changes over time.
- Maker's signatures and town marks: Nuremberg compass-makers (Kompassmacher) often struck a personal mark and the town's punch.
- Additional scales such as lunar volvelles, wind roses, perpetual calendars or lists of cities with their latitudes.
Dating clues
- Ivory diptych dials are characteristic of Nuremberg between about 1500 and 1700.
- Butterfield-type dials with a bird-shaped adjustable gnomon point to Paris workshops from the late seventeenth century onward.
- Equation-of-time tables engraved on the plate became common after the mid-seventeenth century, once pendulum clocks made the difference between solar and mean time obvious.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
Read next:The history timeline
Related records
Instruments · 1575-1625
Sand-glass set (x4) fitted into an ebony case, inlaid with ivory. Italian, c1600
Victoria and Albert Museum, London
Instruments · 1578-1631
Tablet sun-dial 532-68, V & A M. reg, ivory inscribed "Hans Troschel faciebat", German, 6in by 3 1/4 in, 1578-1631
Science Museum Group, London
Instruments · 1593–1613
Sundial, Czech Republic, 1593–1613
MAK – Museum of Applied Arts
Instruments · 1600–1699
Astrolabe by Henry Sutton, Belgium, 1600–1699
Royal Institute for Cultural Heritage
Instruments · 1600–1699
Astrolabe by John Allen, Belgium, 1600–1699
Royal Institute for Cultural Heritage
Instruments · 1600–1699
Astrolabe by Lambert Damery, Belgium, 1600–1699 (Royal Institute for Cultural Heritage AP_10277393)
Royal Institute for Cultural Heritage
Instruments · 1600–1699
Astrolabe by Lambert Damery, Belgium, 1600–1699 (Royal Institute for Cultural Heritage AP_10368156)
Royal Institute for Cultural Heritage
Instruments · 1600–1636
Astrolabe, Germany, 1600–1636
Rijksmuseum