Clock by Denis Masson, France, 1746 — view 1 of 3
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Clocks · Clock

Clock by Denis Masson, France, 1746

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Denis Masson (Maker); Elie Barbezat (Enameller)
Date
1746
Country of origin
France
Place
Paris
Object type
Clock
Materials / technique
The clock mechanism is of brass with an enamelled dial. The supporting figures are cast and chased in gilded bronze. Both the mechanism and the figures are supported on a limestone base
Dimensions
Height: 56 cm; Width: 58.4 cm; Depth: 23.4 cm
Accession / object no.
1006-1882
Credit line
Bequeathed by John Jones

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number 1006-1882), this is a clock by Denis Masson, made in Paris, France, dated 1746. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Clocks collection. Materials and techniques recorded by the source: The clock mechanism is of brass with an enamelled dial. The supporting figures are cast and chased in gilded bronze. Both the mechanism and the figures are supported on a limestone base. Recorded dimensions: Height: 56 cm; Width: 58.4 cm; Depth: 23.4 cm. The record is illustrated with 3 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Summary

A neo-classical mantel clock supported on a fluted column plinth and surmounted by an oak garland tied with ribbons with the gilt bronze figure of Urania, Muse of Astronomy with her left foot resting on an astronomical diagram and, to the right of the clock, her attributes, the celestial globe and telescope, the movement signed by Denis Masson, Paris (working 1744-1778) and the dial enamelled by Elie Barbezat, who has signed the reverse. The clock, gilt bronze figure and globe are mounted on a limestone base.The clock movement was made 1746, in the year in which Denis Masson was received as Master Clockmaker in the Paris Guild of Clockmakers. The case probably dates from 1760.

V&A — Physical description

A 'gout grec' mantel clock supported on a fluted column base and surmounted by an oak garland tied with ribbons. To the right a gilt bronze seated figure of Urania, the muse of Astronomy, with her left foot resting on an astronomical diagram, with, on the other side of the dial, her attribute the celestial globe. The dial is named 'Masson A Paris' . The movement is engraved 'Denis Masson a Paris', dating from 1746 and the dial is signed on the reverse 'Elie Barbezat', who worked during the reign of Louis XV. The clock, gilt bronze figure and globe are mounted on a limestone base. Mainsprings both inscribed 'Richard Mai/Juin 1773'.

V&A — Object history

This clock was among a large collection of furniture, porcelain, metalwork, paintings and books owned by the tailor and businessman John Jones, and kept in cramped conditions at his house at 95, Piccadilly. In his will of 4 December 1879 and in a codicil of 22 January 1880, Jones bequeathed the objects to the South Kensington Museum, and they were transferred there after his death in 1882. The Handbook to the Jones bequest, published in 1883, marvels at the value of the gift, which seems still not to have been displayed to best advantage: 'Probably a large majority of those who visit the Jones collection will be indisposed to believe ... that so limited a space as three not large galleries in the Museum can contain furniture and decorative arts worth no less than a quarter of a million of money'. Jones' principal collecting interests lay in French eighteenth-century furniture and decorative arts, of which this clock is a splendid and rare example, as well as reflecting the late-Victorian love of rich, gilded surfaces and historical artistic styles. One of sixteen clocks bequeathed to the South Kensington Museum by John Jones.

V&A — Production note

This mantel clock utilized an earlier movement signed by Denis Masson with a case in the 'Gout Grec' style with bronze sculpture representing the mythological figure of the muse Urania.

Inscriptions & marks

Denis Masson à Paris; Masson A Paris; Elie Barbezat; 'Richard Mai/Juin 1773'.

Historical context

Early Modern Horology (1600 – 1750)

Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.

Huygens's pendulum (1656–57) improved clock accuracy from about a quarter of an hour to under a minute a day. The anchor escapement (c. 1670) and the long seconds pendulum created the longcase clock; London makers such as Fromanteel, Knibb, Tompion and Quare led European clockmaking, and French makers created the Boulle pendule.

Read the period in the timelineMore clocks from this periodEarlier: Renaissance Horology

Atlas type guide

Domestic clocks

A clock combines four systems: a source of power (falling weight, coiled spring, or later electricity), a gear train that divides time, an escapement and oscillator that regulate it (foliot, pendulum or balance), and an indicating system of dial and hands or a bell. Its history runs from the large iron weight-driven clocks of the late thirteenth century to Renaissance spring-driven table clocks, the pendulum revolution of 1656, the factory clocks of the nineteenth century and electric and quartz clocks of the twentieth.

Domestic clocks also reflect regional furniture and decorative traditions — English longcase and bracket clocks, French pendules, Viennese regulators, Black Forest and American shelf clocks — and therefore record changing tastes as much as technical progress.

What to look for

  • How the clock is powered: weights, spring barrel, fusee, electric coil.
  • The oscillator: foliot, short pendulum, long seconds pendulum or balance.
  • Whether it strikes: hour only (count wheel) or hours and quarters (rack striking).
  • The maker or retailer's name on dial and movement, and any factory trademarks.
  • Signs of alteration — replaced dials, converted escapements, 'married' cases.

Dating clues

  • Before 1656 clocks used foliots or balances; after, most domestic clocks have pendulums.
  • Anchor escapements spread after c. 1670; minute hands became common at the same time.
  • Factory production in America and Germany transformed prices after c. 1840.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Verge escapementAnchor (recoil) escapementFoliot

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