Base Metal, 20th c. Bronze, marble and ivory clock by Chiparus — view 1 of 1
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Clocks · Mantel clock

Base Metal, 20th c. Bronze, marble and ivory clock by Chiparus

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Démeter Chiparus (maker)
Date
20th century
Country of origin
Unrecorded in source
Object type
Mantel clock
Materials / technique
Bronze, marble and ivory
Accession / object no.
CIRC.205-1972

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number CIRC.205-1972), this is a mantel clock by Démeter Chiparus, dated 20th century. The Atlas places it in the Modern Mechanical Horology period (1945 – 1969) of its Clocks collection. Materials and techniques recorded by the source: Bronze, marble and ivory. The record is illustrated with 1 photograph.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Physical description

Clock with figure of woman with outstretched skirt and arms.

Historical context

Modern Mechanical Horology (1945 – 1969)

Tool watches for divers, pilots and astronauts; electric watches anticipate the electronic age.

Post-war clocks combined new materials and industrial design: plastic and metal cases, battery-powered transistor movements from the late 1950s, and design classics by George Nelson, Max Bill and others. The first caesium atomic clock (1955) moved the definition of time from astronomy to physics.

Read the period in the timelineMore clocks from this periodEarlier: Golden Age of Mechanical Watchmaking

Atlas type guide

Mantel and French pendule clocks

The mantel clock — the French pendule de cheminée — is as much decorative art as timekeeper. From the late seventeenth century Parisian clockmakers worked with cabinet-makers, bronze founders and gilders (ciseleurs-doreurs) to create cases in Boulle marquetry, gilt bronze and marble, while the movements were often supplied by specialist makers. Clocks of the Louis XIV, Louis XV and Louis XVI periods, and Empire clocks with allegorical figures, set fashions copied across Europe.

The nineteenth century industrialised the type. The 'Paris movement', a standardised round movement with silk-thread or Brocot suspension and count-wheel striking, was made in huge numbers by firms such as Japy and Vincenti, and fitted into cases of every style and material.

What to look for

  • Round 'Paris' movements with makers' stamps (e.g. Japy Frères, Vincenti, S. Marti) and medal marks from exhibitions.
  • Suspension type: silk thread (earlier) or Brocot adjustable suspension (after c. 1840).
  • Visible Brocot escapement on the dial in later clocks.
  • Fire-gilt (mercury) gilding on bronzes versus later electro-gilding.
  • Signed dials naming a retailer rather than the movement maker.

Dating clues

  • Silk-suspension Paris movements: c. 1800–1850.
  • Brocot suspension and visible escapements: after c. 1840.
  • Exhibition medal stamps on movements give dates after the medal year.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Anchor (recoil) escapement

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