
Instruments · Orrery clock
Orrery clock by Louis Thouverez, France, 1790
- Maker / attribution
- Louis Thouverez (Maker)
- Date
- 1790
- Historical period
- Precision & Scientific Horology (1750 – 1850)
- Country of origin
- France
- Object type
- Orrery clock
- Materials / technique
- Cast and gilded bronze, Carrara marble, copper, brass, steel, enamel
- Dimensions
- 19 × 9 1/2 in. (48.3 × 24.1 cm)
- Holding institution
- The Metropolitan Museum of Art, New York
- Accession / object no.
- 2019.283.73
- Credit line
- Bequest of Mrs. Charles Wrightsman, 2019
- Catalogue title (original)
- Orrery clock
Record summary
Held and catalogued by The Metropolitan Museum of Art, New York (object number 2019.283.73), this is an orrery clock by Louis Thouverez, made in France, dated 1790. The Atlas places it in the Precision & Scientific Horology period (1750 – 1850) of its Instruments collection. Materials and techniques recorded by the source: Cast and gilded bronze, Carrara marble, copper, brass, steel, enamel. Recorded dimensions: 19 × 9 1/2 in. (48.3 × 24.1 cm). The record is illustrated with 3 photographs.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
The source record does not include a narrative description. The structured fields above are reproduced from it.
Historical context
Precision & Scientific Horology (1750 – 1850)
Harrison solves longitude; Mudge invents the lever; Breguet's Paris workshop defines the modern watch.
The longitude problem was solved by the marine chronometer and lunar distance methods; dividing engines made precision scales possible, and observatories set time by transit instruments.
Read the period in the timelineMore instruments from this periodEarlier: Early Modern Horology
Atlas type guide
Astrolabes, quadrants and astronomical compendia
The planispheric astrolabe is a two-dimensional model of the sky. A pierced rotating star map (the rete) turns over a plate engraved for a particular latitude; by aligning a star or the sun with its observed altitude, the user can read the time of day or night, the time of sunrise and sunset, and solve many other astronomical problems. Developed in the Hellenistic world and refined by astronomers in the Islamic world from the eighth century, it reached Latin Europe through al-Andalus.
Quadrants, compendia, armillary spheres and later orreries belong to the same family of instruments that model the heavens. They were teaching tools, status objects and practical time-finders. Many surviving examples are signed and dated, which makes them important evidence for the history of instrument-making workshops in Baghdad, Isfahan, Lahore, Toledo, Louvain, Nuremberg, London and elsewhere.
What to look for
- The latitudes engraved on the plates — they show which cities the instrument was made for.
- The script and calendar used: Arabic or Persian inscriptions, abjad numerals, Hebrew or Latin text indicate tradition and region.
- The design of the rete: the number of named stars and the style of the star pointers changes by region and period.
- Shadow squares, unequal-hour lines and zodiac scales on the back (dorsum).
- Signatures, dedications and dates, often hidden on the throne (kursi) or the back.
Dating clues
- Signed and dated astrolabes allow precise dating; undated ones are attributed by star positions on the rete, which shift slowly through precession.
- Gothic-style retes with tracery are typical of European instruments of the fourteenth and fifteenth centuries.
- Printed paper astrolabes and planispheres became common from the sixteenth century onward.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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