Lecoultre Music Alarm, ref. 2163, circa 1960s — view 1 of 2
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Clocks · Clock

Lecoultre Music Alarm, ref. 2163, circa 1960s

DocumentedDocumented from an auction catalogue; attribution as stated by the auction house.
Maker / attribution
Lecoultre (brand / maker)
Date
circa 1960s
Country of origin
Switzerland
Object type
Clock
Lot
Lot 374-68
Credit line
Auction lot record: LOT 68
Catalogue title (original)
LECOULTRE, REF. 2163, MUSIC ALARM, 8 DAYS TABLE CLOCK, GILDED BRASS AND PLEXIGLASS

View the source record (auction lot) ↗

Record summary

Catalogued by Antiquorum auction archive, Geneva (lot Lot 374-68), this is a clock by Lecoultre, made in Switzerland, dated circa 1960s. The Atlas places it in the Modern Mechanical Horology period (1945 – 1969) of its Clocks collection. The record is illustrated with 2 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

Antiquorum catalogue description

EUR 250 - 500 / CHF 250 - 500 / USD 300 - 550 A fine and rare, manual wind rectangular shaped manual winding 8 days clock with musical alarm , black mirror-finish dial with Plexiglass etched anchors and wave patterns indexes and sail boat.

Lot specifications (Antiquorum)

Caliber: 15 jewels; Case No.: 2163; Signature: Dial, case and movement

Historical context

Modern Mechanical Horology (1945 – 1969)

Tool watches for divers, pilots and astronauts; electric watches anticipate the electronic age.

Post-war clocks combined new materials and industrial design: plastic and metal cases, battery-powered transistor movements from the late 1950s, and design classics by George Nelson, Max Bill and others. The first caesium atomic clock (1955) moved the definition of time from astronomy to physics.

Read the period in the timelineMore clocks from this periodEarlier: Golden Age of Mechanical Watchmaking

Atlas type guide

Bracket, table and spring-driven clocks

Spring-driven clocks freed timekeeping from the hanging weight. The coiled mainspring, documented from the fifteenth century, made portable table clocks possible; to even out its declining force, makers used the fusee, a conical pulley connected to the barrel by a gut line or chain. Renaissance table clocks from Augsburg and Nuremberg — drum-shaped, square or tower-shaped in gilt brass — were luxury scientific objects, often with astronomical dials and alarms.

After the pendulum, English makers developed the bracket clock: a wooden case with a carrying handle, a short pendulum with a verge escapement, and often repeating work to sound the hours on demand at night. Later examples use the anchor escapement. In the nineteenth century, 'table clock' became a broad term for spring clocks of every nationality.

What to look for

  • A fusee in the movement (cone-shaped pulley) and the type of line — gut or chain.
  • Verge escapement with a short bob pendulum, often with a decoratively engraved backplate.
  • Repeat cords or buttons that make the clock strike again on demand.
  • Gilt-brass engraved cases and horizontal dials on Renaissance pieces.
  • Case shapes: inverted bell, bell top, break-arch, lancet or balloon.

Dating clues

  • Drum and tower table clocks: c. 1520–1650.
  • Ebony veneered English bracket clocks with verge escapements: c. 1670–1800.
  • Engraved backplates were usual on English clocks until c. 1800, then generally plain.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:FuseeVerge escapementAnchor (recoil) escapement

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