Clock case and vase by George E. Ohr, United States, 1898 — view 1 of 4
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Movements & Components · Clock case and vase

Clock case and vase by George E. Ohr, United States, 1898

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
George E. Ohr (Maker); John Harry Portman (Decorator)
Date
1898
Country of origin
United States
Place
Biloxi, Mississippi, United States
Object type
Clock case and vase
Materials / technique
Earthenware
Dimensions
14 13/16 in. (37.6 cm)
Accession / object no.
2018.294.172
Credit line
Gift of Robert A. Ellison Jr., 2018
Catalogue title (original)
Clock case and vase

View the source record ↗

Record summary

Held and catalogued by The Metropolitan Museum of Art, New York (object number 2018.294.172), this is a clock case and vase by George E. Ohr, made in Biloxi, Mississippi, United States, dated 1898. The Atlas places it in the Industrial Revolution period (1850 – 1900) of its Movements & Components collection. Materials and techniques recorded by the source: Earthenware. Recorded dimensions: 14 13/16 in. (37.6 cm). The record is illustrated with 4 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

The source record does not include a narrative description. The structured fields above are reproduced from it.

Historical context

Industrial Revolution (1850 – 1900)

American interchangeable-parts manufacture; railroad time standards; Swiss and German factory systems.

Standardised calibres, interchangeable parts and machine tools allowed movements to be mass-produced in American and Swiss factories.

Read the period in the timelineMore movements & components from this periodEarlier: Precision & Scientific Horology

Atlas type guide

Cases, keys and accessories

Clock and watch cases protect the movement and express taste and status. Watch cases were made by separate specialist case-makers whose marks, along with assay hallmarks, help to date and place them. Clock cases were the work of cabinet-makers, bronze founders, ceramic factories and silversmiths, so they belong as much to the history of decorative arts as to horology.

Keys, chatelaines, watch stands, watch papers and winding tools are part of the material culture of timekeeping: they show how timepieces were worn, displayed, wound and maintained.

What to look for

  • Case maker's sponsor's marks and assay hallmarks in gold and silver cases.
  • Materials: shagreen, tortoiseshell, enamel, porcelain, jasperware, gilt bronze.
  • Breguet-style ratchet keys, crank keys and watch-key fobs.
  • Engraved names, presentations and dates.

Dating clues

  • English hallmark date letters allow exact dating of the case assay.
  • Porcelain cases from Meissen and Sèvres: mostly eighteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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