Clock, bone china, Josiah Wedgwood and Sons, Barlaston, 2002 (V&A WE.11914-2014) — view 1 of 2
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Clocks · Clock

Clock, bone china, Josiah Wedgwood and Sons, Barlaston, 2002 (V&A WE.11914-2014)

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Josiah Wedgwood and Sons (manufacturers)
Date
2002
Country of origin
Unrecorded in source
Place
Barlaston
Object type
Clock
Materials / technique
bone china, transfer printed
Dimensions
Height: 110 mm; Width: 105 mm; Depth: 40 mm
Accession / object no.
WE.11914-2014
Credit line
V&A Wedgwood Collection. Presented by Art Fund with major support from the National Lottery Heritage Fund, private donations and a public appeal.

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number WE.11914-2014), this is a clock by Josiah Wedgwood and Sons, made in Barlaston, dated 2002. The Atlas places it in the Mechanical Renaissance period (1990 – 2010) of its Clocks collection. Materials and techniques recorded by the source: bone china, transfer printed. Recorded dimensions: Height: 110 mm; Width: 105 mm; Depth: 40 mm. The record is illustrated with 2 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Physical description

Clock, bone china, arched shape, with transfer-printed pink, grey and gold design.

Inscriptions & marks

TO CELEBRATE THE GOLDEN JUBILEE OF HER MAJESTY QUEEN ELIZABETH 1952-2002 / FROM THE DESIGNS OF ERIC RAVILIOUS' / 'WEDGWOOD ENGLAND 1759 BONE CHINA' (printed on base)

Historical context

Mechanical Renaissance (1990 – 2010)

Mechanical watches return as cultural objects; independent watchmaking flourishes.

Mechanical clocks returned as luxury and craft objects, alongside radio-controlled and designer quartz clocks. Independent makers and restorers revived traditional techniques, and museums increasingly documented industrial and electric clocks as heritage.

Read the period in the timelineMore clocks from this periodEarlier: Quartz Revolution

Atlas type guide

Domestic clocks

A clock combines four systems: a source of power (falling weight, coiled spring, or later electricity), a gear train that divides time, an escapement and oscillator that regulate it (foliot, pendulum or balance), and an indicating system of dial and hands or a bell. Its history runs from the large iron weight-driven clocks of the late thirteenth century to Renaissance spring-driven table clocks, the pendulum revolution of 1656, the factory clocks of the nineteenth century and electric and quartz clocks of the twentieth.

Domestic clocks also reflect regional furniture and decorative traditions — English longcase and bracket clocks, French pendules, Viennese regulators, Black Forest and American shelf clocks — and therefore record changing tastes as much as technical progress.

What to look for

  • How the clock is powered: weights, spring barrel, fusee, electric coil.
  • The oscillator: foliot, short pendulum, long seconds pendulum or balance.
  • Whether it strikes: hour only (count wheel) or hours and quarters (rack striking).
  • The maker or retailer's name on dial and movement, and any factory trademarks.
  • Signs of alteration — replaced dials, converted escapements, 'married' cases.

Dating clues

  • Before 1656 clocks used foliots or balances; after, most domestic clocks have pendulums.
  • Anchor escapements spread after c. 1670; minute hands became common at the same time.
  • Factory production in America and Germany transformed prices after c. 1840.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

Read next:Verge escapementAnchor (recoil) escapementFoliot

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