Clock case, Jasperware with applied reliefs and moulding, Josiah Wedgwood and Sons, Barlaston, 1996 — view 1 of 2
View 1 of 2 · Image: © Victoria and Albert Museum, London · original image source

Movements & Components · Clock case

Clock case, Jasperware with applied reliefs and moulding, Josiah Wedgwood and Sons, Barlaston, 1996

DocumentedDocumented from the holding institution's catalogue record.
Maker / attribution
Josiah Wedgwood and Sons (Manufacturers)
Date
1997
Country of origin
Unrecorded in source
Place
Barlaston
Object type
Clock case
Materials / technique
Jasperware with applied reliefs and moulding
Dimensions
Height: 115 mm; Length: 98 mm
Accession / object no.
WE.18555-2014
Credit line
V&A Wedgwood Collection. Presented by Art Fund with major support from the National Lottery Heritage Fund, private donations and a public appeal.

View the source record ↗

Record summary

Held and catalogued by Victoria and Albert Museum, London (object number WE.18555-2014), this is a clock case by Josiah Wedgwood and Sons, made in Barlaston, dated 1997. The Atlas places it in the Mechanical Renaissance period (1990 – 2010) of its Movements & Components collection. Materials and techniques recorded by the source: Jasperware with applied reliefs and moulding. Recorded dimensions: Height: 115 mm; Length: 98 mm. The record is illustrated with 2 photographs.

Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.

Catalogue description

V&A — Physical description

Clock case, blue jasperware with white applied relief. Square shape with circular holes for clock insert, and a semi-circular top with a white applied relief of a flower. On front above the hole is a white applied relief scene of two putti's with a dog in front of a tree. Moulded blue decoration on the front of dots and leaves. Either side of case are white relief of putti, one is holding a bird, the other a garland. Large label on reverse.

Inscriptions & marks

WEDGWOOD / BH / MADE IN / ENGLAND ® ' (impressed); '45' (marked in pencil); 'out of / (illegible)' (marked in pencil)

Historical context

Mechanical Renaissance (1990 – 2010)

Mechanical watches return as cultural objects; independent watchmaking flourishes.

New mechanical calibres, co-axial and other escapements, and silicon components renewed mechanical movement design.

Read the period in the timelineMore movements & components from this periodEarlier: Quartz Revolution

Atlas type guide

Cases, keys and accessories

Clock and watch cases protect the movement and express taste and status. Watch cases were made by separate specialist case-makers whose marks, along with assay hallmarks, help to date and place them. Clock cases were the work of cabinet-makers, bronze founders, ceramic factories and silversmiths, so they belong as much to the history of decorative arts as to horology.

Keys, chatelaines, watch stands, watch papers and winding tools are part of the material culture of timekeeping: they show how timepieces were worn, displayed, wound and maintained.

What to look for

  • Case maker's sponsor's marks and assay hallmarks in gold and silver cases.
  • Materials: shagreen, tortoiseshell, enamel, porcelain, jasperware, gilt bronze.
  • Breguet-style ratchet keys, crank keys and watch-key fobs.
  • Engraved names, presentations and dates.

Dating clues

  • English hallmark date letters allow exact dating of the case assay.
  • Porcelain cases from Meissen and Sèvres: mostly eighteenth century.

General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.

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