
Instruments · Armillary astrolabe
Astrolabe by Sevin, Pierre (fl. 1661-1683), France
- Maker / attribution
- Sevin, Pierre (fl. 1661-1683) (maker)
- Date
- 1661
- Historical period
- Early Modern Horology (1600 – 1750)
- Country of origin
- France
- Place
- Paris, France, Paris; France
- Object type
- Armillary astrolabe
- Holding institution
- Science Museum Group, London
- Accession / object no.
- 1895-31
- Credit line
- Weishaupt and Co.
- Catalogue title (original)
- French armillary astrolabe, 1661
Record summary
Held and catalogued by Science Museum Group, London (object number 1895-31), this is an armillary astrolabe by Sevin, Pierre (fl. 1661-1683), made in Paris, France, Paris; France, dated 1661. The Atlas places it in the Early Modern Horology period (1600 – 1750) of its Instruments collection. The record is illustrated with 1 photograph.
Assembled from the source record's structured fields. Dates and attributions are given as the source states them; where a field is missing the Atlas leaves it blank rather than estimating.
Catalogue description
Science Museum Group description
Dated 1661, this armillary astrolabe was made by Pierre Sevin, Paris and is mounted in armillary rings that allow worldwide use. The astrolabe is in essence a model of the heavens that an astronomer could hold in their hands. Popular in Medieval and Renaissance Europe, its many uses included timekeeping, astrology and surveying. The two dimensional depiction of the universe on this instrument is achieved using universal projection rather than the stereographic technique more usually found on astrolabes. From its origins in the Ancient World, Islamic astronomers developed the astrolabe from where it spread to Europe.
Historical context
Early Modern Horology (1600 – 1750)
Huygens' pendulum and balance spring transform accuracy; English makers develop the anchor and deadbeat escapements.
Pocket sundials, Butterfield dials and sandglasses remained essential companions to imperfect clocks; navigators used sandglasses and the log line; observatories began to combine telescopes with pendulum clocks.
Read the period in the timelineMore instruments from this periodEarlier: Renaissance Horology
Atlas type guide
Astrolabes, quadrants and astronomical compendia
The planispheric astrolabe is a two-dimensional model of the sky. A pierced rotating star map (the rete) turns over a plate engraved for a particular latitude; by aligning a star or the sun with its observed altitude, the user can read the time of day or night, the time of sunrise and sunset, and solve many other astronomical problems. Developed in the Hellenistic world and refined by astronomers in the Islamic world from the eighth century, it reached Latin Europe through al-Andalus.
Quadrants, compendia, armillary spheres and later orreries belong to the same family of instruments that model the heavens. They were teaching tools, status objects and practical time-finders. Many surviving examples are signed and dated, which makes them important evidence for the history of instrument-making workshops in Baghdad, Isfahan, Lahore, Toledo, Louvain, Nuremberg, London and elsewhere.
What to look for
- The latitudes engraved on the plates — they show which cities the instrument was made for.
- The script and calendar used: Arabic or Persian inscriptions, abjad numerals, Hebrew or Latin text indicate tradition and region.
- The design of the rete: the number of named stars and the style of the star pointers changes by region and period.
- Shadow squares, unequal-hour lines and zodiac scales on the back (dorsum).
- Signatures, dedications and dates, often hidden on the throne (kursi) or the back.
Dating clues
- Signed and dated astrolabes allow precise dating; undated ones are attributed by star positions on the rete, which shift slowly through precession.
- Gothic-style retes with tracery are typical of European instruments of the fourteenth and fifteenth centuries.
- Printed paper astrolabes and planispheres became common from the sixteenth century onward.
General guidance written by the Atlas editors about this kind of object. It is not a statement about this particular piece; for that, rely on the source record above and on physical examination.
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